Maureen Malloy

Jazz Host

Maureen began her radio career at WRTI in 1999 while studying broadcasting at Temple University. Determined to make it in the entertainment industry, she took advantage of all the creative opportunities presented to her at WRTI - she hosted the overnight jazz broadcasts through her entire college career, she was an arts and culture reporter, and she soaked up the jazz biz from her many WRTI mentors.

After graduation, Maureen held many positions in the broadcasting and entertainment industries. She worked in casting and as a booking agent for local talent. She taught speech and acting classes for children. And she had a stint in commercial radio working in production. Along with being an independent music promoter in her spare time, Maureen still managed to host jazz at WRTI. And soon it was clear to her that jazz was her true calling.

Maureen finally found her home in an office full of amazing music, and with a sign on the door that reads "Jazz Music Director."

 

Ways to Connect

West Philadelphia native Warren Oree has a work ethic like that of the late James Brown, who held the title of “hardest working man in show business.” Along with leading the Arpeggio Jazz Ensemble, the bassist and educator is also runs Lifeline Music Coalition, along with partner Graziella DiNuzzo, which has produced some of Philadelphia’s most prominent jazz events. 

August 27, 2018.  Karrin Allyson has long been known for her on point phrasing, and her impeccable treatment of standards.  But here, on her new release Some of That Sunshine, its her originals that are the main attraction, along with some amazing guest artists.  Drummer Jeff Jennings makes a cameo on a few tunes, along with violinist Regina Carter, and saxophonist Houston Person.

August 20, 2018. Percussionist and bandleader Bobby Sanabria first saw West Side Story when he was a young boy living in the Bronx.   Leonard Bernstein's music floored Sanabria, who thought it epitomized the cool factor found only in New York City.  Years later, in West Side Story Reimagined, Sanabria presents Bernstein's enduring music from his own perspective as "a jazz musician, a Latin musician and native Nuyorican son."

August 13, 2018. The title Electric Miles suggests you’ll hear instruments plugged into outlets. But when saxophonist, flutist and arranger Charles Pillow wrote the charts for his Electric Miles album, he only allowed for some electric piano and electric bass.  The rest of the magic comes from the force of his large ensemble. Batteries not included.

August 6, 2018. Over the years, saxophonist Rob Dixon has proven he can bring the funk. On Coast To Crossroads, the funk is still brought, and so is the rest of his musical capability.

July 30, 2018.  Satchmo. Dippermouth. Pops. All nicknames used to address one of the most influential artists in jazz history—Louis Armstrong.  To honor the anniversary of Armstrong’s birth in New Orleans on August 4, 1901, Verve Records is releasing an amazing four-disc set showcasing the legend’s unique vocal style.  Pops Is Tops: The Verve Studio Albums is truly tops!

Beatriz Ota

Saxophonist and composer Daniel Bennett first showed interest in his instrument when his sister brought him to see a high school jazz ensemble when he was nine years old. Now he's an active performer on the New York jazz scene; his ensemble the Daniel Bennett Group was recently voted “Best New Jazz Group” at the New York Hot House Awards.

July 23, 2018.  It’s been five years since we’ve had new music from saxophonist and York, Pennsylvania native Tim Warfield.  His new album, Jazzland, uses the same configuration of his 2013 release One for Shirley. Terell Stafford is on trumpet, Pat Bianchi on the Hammond B3 organ, Byron Landham is the drummer, and Daniel Sadownick handles percussion.

July 16, 2018. Lynne Arriale has a special relationship with the piano.  It’s apparent as soon as you hear a few bars of her playing on Give Us These Days. Double bassist Jasper Somsen and drummer Jasper van Hulton add the magic that makes this album distinct.

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