The first subscription concert of the Philadelphia Orchestra’s 2018-19 season airs Sunday, November 4th at 1 PM here on WRTI 90.1 with a second chance to hear it on Monday, November 5 at 7 PM on WRTI HD-2 and the WRTI classical stream. Gregg Whiteside is your host.
Pianist Andre Watts kicks off the seventh season of Philadelphia Orchestra in Concert broadcasts, and Yannick Nézet-Séguin, in his seventh season also, conducts a program featuring a world premiere of a work by Nico Muhly, one of the most popular of all piano concertos, Grieg’s A minor, and the work Rachmaninoff composed with the Philadelphia Sound in mind, the Symphonic Dances.
The concert begins with Nico Mulhy’s orchestral suite Liar, arranged from his opera Marnie, Muhly’s second commission from the Metropolitan Opera. The Met gave the U.S. premiere a few weeks ago, following its world premiere at the English National Opera last year.
Marnie is based on Winston Graham’s 1961 novel, which Alfred Hitchcock adapted for the 1964 film starring Tippi Hedren and Sean Connery. The Liar Suite reworks material from the opera into a new piece, not simply an abridged orchestral retelling of the story in miniature. Muhly compares it with Marnie’s psychoanalysis: her memory comes back to her out of order, in abstract ways.
Things from one memory trigger another memory, and things from reality link up with the unreal. The Liar Suite does that, too: It puts things out of order and in layers, specifically to show different sides of Marnie. It’s more an abstract portrait of the character than a narrative arc.
The beloved A minor Piano Concerto of Edvard Grieg would become the first full expression of his newly awakened sense of national pride. It emulates the Schumann Concerto — also in A minor —in more than just the striking piano flourish that opens the work. It also demonstrates a dedication to the spirit of Norway’s native folk music. Andre Watts is the soloist for this performance.
The concert concludes with Sergei Rachmaninoff’s masterful Symphonic Dances, a work written for, and premiered by The Philadelphia Orchestra in 1941. It was Raachmaninoff’s final composition, and a work he fashioned with the distinctive Philadelphia Sound in mind.
During intermission, WRTI’s Debra Lew Harder speaks backstage with the iconic Andre Watts, and Susan Lewis sits down with composer Nico Muhly, and Music Director Nézet-Séguin.
Don’t miss this first broadcast of the new season, from Verizon Hall at the Kimmel Center!
That’s Sunday, November 4th from 1 to 3 PM, here on WRTI 90.1, streaming worldwide at wrti.org, and on the WRTI App.
Muhly: Liar, Suite from Marnie (World premiere and Philadelphia Orchestra commission)
Grieg: Piano Concerto in A minor, Op. 16
I. Allegro molto moderato
III. Allegro moderato molto e marcato
Andre Watts, piano
Rachmaninoff: Symphonic Dances
I. Non allegro
II. Andante con moto (Tempo di valse)
III. Lento assai—Allegro vivace—Lento assai, come prima—L’istesso tempo, ma agitato—Poco meno mosso— “Alliluya”
The Philadelphia Orchestra
Yannick Nézet-Séguin, conductor
Gregg Whiteside is producer and host of the Philadelphia Orchestra in Concert broadcasts, every Sunday at 1 PM on WRTI 90.1, streaming online at WRTI.org, and on our mobile app! Listen again on Mondays at 7 PM on WRTI HD-2