Originally published on Wed October 24, 2012 1:35 pm
Opera: the stuff of passion, fury, sorrow and ... disquisitions on jurisprudence?
Maybe, if a panel discussion at the just-finished annual meeting of the American Bar Association is to be believed. Called "Arias of Law: The Rule of Law at Work in Opera and the Supreme Court," the session, which was created and moderated by Craig Martin of Jenner & Block LLP, featured U.S. Supreme Court Justice Ruth Bader Ginsburg; Anthony Freud, general director of Chicago's Lyric Opera; and U.S. Solicitor General Donald Verrilli Jr.
Originally published on Tue August 7, 2012 12:18 pm
One of the toughest tricks for a singer to pull off is putting a fresh face on each composer in a program. All too often, the Handel starts sounding like the Mozart, which in turn takes on too much of the Verdi and it all becomes indistinguishable.
Even people who wouldn't know Yo-Yo Ma from Yanni know Carnegie Hall is where the world's greats play. So how do unknown students and amateurs get to perform at one of the world's most celebrated venues?
Originally published on Sat August 4, 2012 1:04 am
Canadian rower Michael Braithwaite is pumped and probably a little nervous. It's the day before the double sculls (two person team) competition at the London Olympics and the British Columbia native is hoping his strong arms and shoulders will bring him gold.
Up until a few years ago, Italian-born, French-educated composer-pianist-conductor Alfredo Casella's greatest claim to fame in America was as the director of the Boston Pops in the late 1920s, preceding Arthur Fiedler. But that pales in comparison to the significant body of distinguished music he left behind that is receiving increased attention from record companies.
With the sesquicentennial of Claude Debussy's birth coming up fast on Aug. 22, you'd think there would be a small blizzard of new Debussy releases. This year, not so much; maybe it's a sign of the economic times and industry reality that there's no great rush to add the zillionth recording of such incredibly loved repertoire to the catalog. But every so often, a project comes along that demands a revisiting of music you think you know inside and out. This two-disc set of Debussy headed by Russian pianist Alexei Lubimov is just such a release.