The WRTI Philadelphia Orchestra Page!

Visit this page to learn all about our esteemed partner organization, The Philadelphia Orchestra. Here you'll find weekly posts with details about our Sunday Philadelphia Orchestra concert broadcasts with host Gregg Whiteside, artist and conductor interviews, insights about the the music, special offers, and more!

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A bestiary in the Middle Ages was a book of illustrations of animals, each accompanied by a moral lesson.   Sir James MacMillan’s musical bestiary for organ and orchestra is informed by his Scottish background, different musical traditions, and a sharp sense of social satire. WRTI’s Susan Lewis has more.

Daryn Stumbaugh

Three years after the great success of his 1798 work The Creation, Joseph Haydn premiered another large oratorio, this time celebrating nature throughout the year. While not often performed today, The Seasons is still a tour de force with an enthusiastic following. WRTI’s Susan Lewis has more.

Henning Ross / Sony Classical

The vast canvas of an oratorio that begins with the turn from Winter to Spring, and progresses through Summer, Autumn, and Winter, The Seasons, by Joseph Haydn, expands this Sunday’s Philadelphia Orchestra in Concert broadcast to three hours.

Jan Regan/Philadelphia Orchestra

History has painted composer Anton Bruckner as a simple man who gave the world complex and innovative symphonies. WRTI’s Susan Lewis has more on Bruckner’s 8th, which premiered in December of 1892.

This Sunday at 1 pm, WRTI’s Philadelphia Orchestra in Concert broadcast brings to the airwaves another sensational violinist, Nicola Benedetti, who joins the Philadelphia Orchestra in her subscription debut for a performance of the jazz-inspired Violin Concerto of Wynton Marsalis. Cristian Măcelaru conducts.



Jennifer Higdon’s concerto, On a Wire, was inspired by images of birds, as well as the innovative versatility of the musicians of Eighth Blackbird, the contemporary soloist ensemble. WRTI’s Susan Lewis has more.

In correspondence with a patron, Tchaikovsky confessed he was grappling with the idea of fate in his Symphony No. 4. As WRTI’s Susan Lewis reports, the composer tried to make sense of his world with music that still resonates today. Listen to her conversation with Philadelphia Orchestra Music Director Yannick Nézet-Séguin.

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