Pianist Eddie Palmieri has been given many nicknames. He's been called The Latin Monk because of his Thelonious Monk-inspired dissonances. He's been called The Piano Breaker Man, because he hits the keys so hard. He's even been called the 'madman of Latin music.' He's taken many of the innovations of modern jazz pianists and brought them into his Latin bands. But he's never stopped playing good dance music.
In 1994, Palmieri's lobbying culminated in the announcement of a new Grammy Award category for Afro-Caribbean Jazz.
Earlier this year, classical percussionist Mike Tetreault walked onstage at Symphony Hall in Boston for the audition of a lifetime: The Boston Symphony Orchestra was looking for not just one but two new percussionists.
Remember the interview with "sonochromatic artist cyborg" Neil Harbisson? He was born without the ability to see any colors at all, but his prosthetic eyepiece translates color into sound — and he has started reinterpreting music visually through his new perceptions of color, as in his painting based on Mozart's "Queen of the Night" aria.
Originally published on Tue September 18, 2012 5:15 pm
A week ago, Oliver Jones — the greatest living jazz musician in Canada — played his hometown Montreal International Jazz Festival, one of the world's largest. "Oliver Jones Plays Oliver Jones," read the bill. It was the first time, he said in a conversation earlier last week, that the pianist, now 77, would be playing strictly his own tunes for an entire set.