As a teaching assistant for UCLA's undergraduate course "Jazz in American Culture," I spend much of my time in a scene found on college campuses around the world. My professor, the seasoned jazz guitarist Charley Harrison, lectures eager students on the music's geniuses. In the evening, he directs the college big band through classic Swing Era repertoire and modern reinterpretations of it. Harrison and his colleagues also lead smaller ensembles that take 1960s hard bop as their aesthetic core.
Originally published on Tue January 8, 2013 5:15 pm
Violinist Leonidas Kavakos is something of a musician's musician in the classical world. He's a favorite among his collaborators: He's the artist in residence this season at the Berlin Philharmonic, and as a soloist/conductor, he's worked with ensembles ranging from the Boston Symphony to the Budapest Festival Orchestra.
The world mourned the death this week of Indian maestro Ravi Shankar, whose name became synonymous with the sitar. Tributes eulogized Shankar as the great connector of the East and West who'd hobnobbed with The Beatles and collaborated with violin virtuoso Yehudi Menuhin. Less has been said about the roots of the music he spent a lifetime perfecting and innovating.