WRTI Picks from NPR Music

Pages

WRTI Picks from NPR Music
3:29 am
Thu December 6, 2012

Anonymous 4 Marks A Milestone Year Performing Medieval Music

Credit Chris Carroll / Brooklyn Academy of Music
To mark the group's 25th anniversary, Anonymous 4 commissioned the new piece love fail from Pulitzer Prize-winning composer David Lang.

Originally published on Thu December 6, 2012 9:05 am

As of this year, the vocal group Anonymous 4 has been introducing modern audiences to medieval music for a quarter century. When the all-female quartet asked David Lang to help mark the occasion by writing them some music, he didn't need any convincing. The Pulitzer Prize-winning composer was already a big fan.

Read more
WRTI Picks from NPR Music
9:11 am
Tue December 4, 2012

Classical Lost And Found: Hubert Parry's Glorious England

Originally published on Wed December 5, 2012 10:53 am

Composers Hubert Parry, Charles Villiers Stanford and Edward Elgar dominated the British musical scene in the latter half of the Victorian age through the Edwardian era. Albums of Parry's music have been rare lately, so this new recording by Neeme Järvi and BBC National Orchestra and Chorus of Wales is most welcome. Except for Parry's ever-popular Jerusalem, all the selections here are world premiere recordings.

Read more
From The Top Alums
5:45 pm
Mon December 3, 2012

Beatboxed Bach

Credit From The Top

Originally published on Sun December 9, 2012 9:14 am

WRTI Picks from NPR Music
2:30 pm
Tue November 27, 2012

Do Orchestras Really Need Conductors?

Credit James Garrett / New York Daily News via Getty Images
Does This Guy Matter? Conductor Leonard Bernstein during rehearsal with the Cincinnati Symphony at Carnegie Hall in 1977.

Originally published on Wed December 5, 2012 10:12 am

Have you ever wondered whether music conductors actually influence their orchestras?

They seem important. After all, they're standing in the middle of the stage and waving their hands. But the musicians all have scores before them that tell them what to play. If you took the conductor away, could the orchestra manage on its own?

Read more
WRTI Picks from NPR Music
12:18 pm
Mon November 26, 2012

Jason Kao Hwang: From The Blues To China And Back

Credit Courtesy of the artist
Burning Bridge personnel, left to right: Jason Kao Hwang (violin), Wang Guowei (erhu), Sun Li (pipa), Ken Filiano (string bass), Andrew Drury (drum set), Joseph Daley (tuba), Steve Swell (trombone), Taylor Ho Bynum (cornet/flugelhorn).

Originally published on Mon November 26, 2012 3:35 pm

Jazz reflects who we are as a people — democracy in action and all that. But a jazz tune or solo is also a portrait of the musician who makes it; the music reflects the particular background and training that influences how composers compose and improvisers improvise. Jason Kao Hwang makes that autobiographical component explicit throughout his extended composition for eight pieces, Burning Bridge. His parents made the move from China around the end of WWII, and he grew up attending Presbyterian services in suburban Chicago.

Read more

Pages