Three years after the great success of his 1798 work The Creation, Joseph Haydn premiered another large oratorio, this time celebrating nature throughout the year. While not often performed today, The Seasons is still a tour de force with an enthusiastic following. WRTI’s Susan Lewis has more.
Philadelphia Orchestra Music Director Yannick Nézet-Séguin speaks backstage with WRTI's Susan Lewis.
The vast canvas of an oratorio that begins with the turn from Winter to Spring, and progresses through Summer, Autumn, and Winter, The Seasons, by Joseph Haydn, expands this Sunday’s Philadelphia Orchestra in Concert broadcast to three hours.
In correspondence with a patron, Tchaikovsky confessed he was grappling with the idea of fate in his Symphony No. 4. As WRTI’s Susan Lewis reports, the composer tried to make sense of his world with music that still resonates today. Listen to her conversation with Philadelphia Orchestra Music Director Yannick Nézet-Séguin.
When the Philadelphia Orchestra announced that its 2017-18 subscription season would close with a semi-staged performance of Puccini’s Tosca, it generated a level of excitement not often seen in past seasons.
June 11, 2018. If you attended The Philadelphia Orchestra’s performances of Bernstein’s Mass three years ago you get another chance to hear (and own) this magnum opus. It's captured on Mass—The Philadelphia Orchestra and Yannick Nézet-Séguin, a new release from Deutsche Grammophon.