Let’s get one thing out of the way first, in case there is any doubt: “Women Composers” is not a genre. Neither is “music by women,” as a category, written with any different level of skill or sensitivity than is “music by men.”

March 1, 2021. WRTI is celebrating women bandleaders and their music to commemorate Women’s History Month. This week we're shining the spotlight on The Path by Chien Chien Lu, a Taiwanese vibraphonist whose own path led her to Philly’s University of the Arts for grad school to study with vibe master Tony Miceli. This is her debut album as a leader.

March 1, 2021. We're kicking off our celebration of Women's History Month with sparkling music by Schumann and Mendelssohn presented by The Nash Ensemble of London. But it’s not Robert and Felix who have written the three pieces we’re spotlighting, but Clara and Fanny.

It feels strange calling Robert Glasper’s R+R=NOW a “supergroup” because every group Glasper leads seems worthy of that appellation. Yet, there is something particularly relevant right now about this one, which was named out of Glasper’s desire for the group’s music to be both an accurate reflection of the times and an effective and immediate response to them.

Listen to any of Jimmy Bruno’s records and the lyricism, the feel, that full, round tone guitarists kill for, and that articulation—those notes live rich, sustained lives. It all presents as something that comes so easy. But it’s taken Bruno lots of years, and several stops, for it to sound that way.

Versatility is one thing; possessing the aptitude to match a boundless musical curiosity is another. Leonard Bernstein had both; Terence Blanchard also has both.

February 22, 2021. BRUITS, a new album by the trailblazing woodwind quintet Imani Winds, tackles issues of race and social justice with three contemporary works by Reena Esmail, Frederic Rzewski, and Vijay Iyer, composer of the title work.