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A group of sixth, seventh and eighth grade students realized there was no children's book about the composer Florence Price. So they wrote, illustrated and published their own.
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Think of the best songs of 2021 as a playlist catering to the most basic human urges. Within it, booties were called, muffins were buttered and bloody revenge was contemplated. It was quite a year.
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Watch an installation artist and a percussion quartet make music of the city, by the city and for the city. The world premiere of their outdoor work uses piano wires strung to the Manhattan Bridge.
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Vi Hart takes dodecaphony out of the ivory tower and onto YouTube in incredibly entertaining lay terms. And you'll never hear "Mary Had A Little Lamb" in quite the same way again.
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Not that long ago, a composer using an electric guitar would have seemed like a crime against the state of classical music.
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The president and CEO of the Aspen Music Festival, Alan Fletcher, delivers some trenchant words about the state of the classical music world today — and offers some hard-earned wisdom about how to navigate the us-versus-them mindset that pits musicians against boards.
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Fridays are funnier with a cartoon at noon from Deceptive Cadence.
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Conductor JoAnn Falletta, one of the strongest champions of American symphonic music, asks: Does a great American symphony even have to be a symphony?
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If we can argue over the great American novel, what about the great American symphony? Join our exploration of the American symphony, who writes the best ones these days and who wants to hear them?
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Fridays are funnier with a classical cartoon at noon, from Deceptive Cadence.
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Fridays are funnier with a cartoon at noon from Deceptive Cadence.
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Hear the full program and see an excerpt of the performances in Boston, thanks to a collaboration between the Salzburg Mozarteum, the Boston Early Music Festival and Classical New England.