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A group of sixth, seventh and eighth grade students realized there was no children's book about the composer Florence Price. So they wrote, illustrated and published their own. -
Renee Klahr/Think of the best songs of 2021 as a playlist catering to the most basic human urges. Within it, booties were called, muffins were buttered and bloody revenge was contemplated. It was quite a year.
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From Christopher Purves' bottomless bass voice and the soaring Sibelius Fifth to a violist's new take on the Baroque, it's this week's list of albums we can't stop listening to. -
Hear eighth blackbird play Grammy winning music by Stephen Hartke. And the hosts of Deceptive Cadence team up to examine the classical winners at the 55th Grammy Awards, from two very belated Lifetime Achievement honors to the nonsense of the "Classical Compendium" category.
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The nephew of African-American contralto Marian Anderson was a trailblazer in his own right, an acclaimed conductor in an age when few black men led major orchestras. His international performing, recording and teaching career blossomed despite significant physical challenges.
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Fridays are funnier with a classical cartoon at noon, from Deceptive Cadence.
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Max Richter grew tired of Vivaldi's warhorse The Four Seasons. But instead of writing off the piece forever, Richter rewrote it. He blended Vivaldi's work with his own music.
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Hear the 21-year-old Russian play Chopin etudes, colorful Fairy Tales by Nikolai Medtner and an explosive arrangement of music from Stravinsky's Firebird at the WGBH studios in Boston.
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A intense but modestly scaled new opera called Sumeia's Song, written by rising young Arab-American composer Mohammed Fairouz, offers clues into how chamber-sized presentations can be successfully both financially and artistically. And Philip Glass' new Walt Disney opera streams for free Wednesday.
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A moving essay in the New York Times by pianist Sara Davis Buechner poses many questions, including this: Is the American classical music community more unwilling than others to accept a transgendered performer?
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The Taliban tried to ban all music in Afghanistan. But now, 48 young Afghans — boys and girls — make up an orchestra that is coming to the U.S. to perform at a couple of the most prestigious venues in America.
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The man who wrote "The Charleston" also had orchestral music played at Carnegie Hall. Baltimore Symphony conductor Marin Alsop retraces her detective work in uncovering lost symphonic works by jazz piano pioneer James P. Johnson.
