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Think of the best songs of 2021 as a playlist catering to the most basic human urges. Within it, booties were called, muffins were buttered and bloody revenge was contemplated. It was quite a year.
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Think of the best songs of 2021 as a playlist catering to the most basic human urges. Within it, booties were called, muffins were buttered and bloody revenge was contemplated. It was quite a year.
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Guaraldi had range, as well as an instrumental hit right when jazz was vanishing from AM radio.
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The long-running jazz festival is set to go on this weekend for the 55th year. As always, new talent will be there — including these emerging vocalists. Artistic director Tim Jackson breaks down some of the performers he picked.
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The hymn "Be Still My Soul" was one of the songs that Dave Douglas' mom asked him to play at her funeral. Now, he's recorded the tune. But well before he even heard the melody, it had already seen many different lives.
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Before she died last year, the trumpeter's mother gave him a list of hymns to play at her memorial service, down to the specific verses. With a new band, aided by folksinger Aoife O'Donovan, Douglas presents a very personal project.
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Joe Jackson's new album, The Duke, is a tribute to fellow musical pioneer Duke Ellington. The album, however, is not meant as a faithful, note-for-note re-creation. In fact, it features almost no horns.
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There comes a time in a jazz fan's life when he or she realizes that the rabbit hole goes far, far deeper than previously imagined. The new Spotify app from Blue Note Records begins to make sense of the data jumble in which fans happily abandon themselves.
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It's hard to imagine two styles more different than jazz and punk rock. But as these songs demonstrate, the spirit of adventure has been a part of both genres' musical trajectories. Hear the Lounge Lizards, John Zorn and Garage a Trois.
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An Ornette Coleman documentary restored, plus the freewheeling Tim Berne and Herbie's Mwandishi.
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The jazz singer runs through an infectious medley of "I Want to Be Happy" and "What a Little Moonlight Can Do" during a visit to the KPLU studios in Seattle.
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Wilson is always a colorful drummer — a timekeeper who exploits all the timbres a snare drum can give him. He's also a colorful personality, a bandleader who wears his goofy joy on his sleeve.