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Think of the best songs of 2021 as a playlist catering to the most basic human urges. Within it, booties were called, muffins were buttered and bloody revenge was contemplated. It was quite a year.
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Think of the best songs of 2021 as a playlist catering to the most basic human urges. Within it, booties were called, muffins were buttered and bloody revenge was contemplated. It was quite a year.
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The newest CD by jazz violinist Regina Carter, Motor City Moments, features compositions by her fellow Detroit natives like vibraphonist Milt Jackson and Marvin Gaye. Carter is garnering recognition for her jazz interpretations of pop-based material. Reuben Jackson has a review. (4:30) Motor City Moments, by Regina Carter is copyright 2000 on the Verve label, catalog # 314 543 927-2, see http://vervemusicgroup.com.
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Jazz critic Kevin Whitehead reviews Contemporary Jazz, a new CD from saxophonist Branford Marsalis (Columbia Records).
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Jazz critic Kevin Whitehead reviews Dogmental (GM label), the new CD by the Andy Biskin Quintet.
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Scott talks to Detroil blues singer Alberta Adams who recorded her first album at the age of 77.
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Guests: DONNIE MCCLURKIN Gospel singer his two albums are titled Donnie McClurkin and Live in London and More Nominated for a Grammy Award for Best Contemporary Soul Gospel Album Author of the forthcoming book Eternal Victim, Eternal Victor (Fall, 2000) HORACE CLARENCE BOYER Professor Emeritus, Music Theory and African-American Music, University of Massachusetts, Amherst Author, How Sweet the Sound: The Golden Age of Gospel (Univ. of Illinois, 2000) Its roots are in work songs and spirituals, but Gospel music has changed greatly in the last few decades. Early artists like Mahalia Jackson first brought gospel to a larger audience. Today, Contemporary Gospel incorporates elements from jazz, pop and even hip-hop. Join Juan Williams for a conversation with an award-winning Gospel singer about Gospel and its place in American music.
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Jazz saxophonist Stanley Turrentine died in a New York hospital after suffering a stroke. He was known for his smooth playing and his ability to adapt his style to contemporary audiences. Turrentine started his career playing with Ray Charles and Max Roach. He scored his biggest hit in 1970 with Sugar, which became something of a jazz standard, frequently performed and re-recorded by admirers. He was 66 years old.
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Jazz pianist Keith Jarrett. Called one of the greatest improvisers in the history of jazz, Jarrett was famous for his wildly passionate solo recitals. In 1996, Jarrett came down with a mysterious illness-- an interstitial bacterial parasite-- that caused him to stop performing for about two and a half years. Jarrett has started performing and recording again, but he still keeps a low public profile, so his condition will not worsen again. His newest CD, Whisper Not (Universal Classics), will be released next month. His other recent CD, Melody at Night, With You, was a solo album Jarrett recorded at his home studio in rural New Jersey.
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Jazz saxophonist James Carter. He has just released two new CDs Chasin' the Gypsy and Layin' in the Cut (Atlantic Records). The 31-year-old New York based musician was discovered at the age of 17 by Wynton Marsalis. He's played with Marsalis, the late Lester Bowie and Kathleen Battle. He has been praised by jazz musicians and critics alike; Richard Harrington of the Washington Post once wrote, "To hear saxophonist James Carter is to be blown away."
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Basie came to New York City in 1936, and used elements of blues and jazz in the newer sounds of swing and big band.
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Tom Moon, a music reviewer for the Philadelphia Inquirer, reviews a new CD by Brazilian singer Joao Gilberto. (4:00) {STATIONS NOTE:} Joao voz e violao by Joao Gilberto, is on Verve records, catalog # 314 546 713-2. More info at www.vervemusicgroup.com