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Think of the best songs of 2021 as a playlist catering to the most basic human urges. Within it, booties were called, muffins were buttered and bloody revenge was contemplated. It was quite a year.
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Think of the best songs of 2021 as a playlist catering to the most basic human urges. Within it, booties were called, muffins were buttered and bloody revenge was contemplated. It was quite a year.
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An all-star sextet is crossing the country, advancing the festival's mission: to create and support jazz education and performance programs. JazzSet has highlights from the Kennedy Center.
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On a new tribute to Waller, Moran explores his subject's many contradictions: "The son of a preacher, the man who likes to drink, the man who finds his sorrow but expresses it through comedy."
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The saxophonist is an expressive, inventive, quick-thinking improviser. In a 2001 session, Potter performs "I Should Care" with bassist Scott Colley.
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Palmieri plays the whole piano, and he's not shy about throwing an elbow or forearm to get the effect he needs.
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Fats Waller sang, emceed, told jokes, wrote hits, and played mean piano. Decades later, a fellow jazz pianist tries to capture his life-of-the-party spirit with drastically new versions of his tunes.
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One of Europe's biggest jazz stars, pianist Stefano Bollani is also a TV personality, a published author and, his friends attest, a skilled impressionist.
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The trio presents Monk's Dream: Fifty Years Fresh at the KC Jazz Club with Gary Smulyan.
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The pianist solos in his original "Lullaby for Rabbit," host Marian McPartland performs a "Portrait of Makoto Ozoné," and together they enjoy musical jokes in Sonny Rollins' "Sonnymoon for Two."
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In three collaborations in the late 1950s, Gil Evans and Miles Davis steered their projects into a new era for jazz. Terence Blanchard plays Davis' role with commitment and emotion in this set.
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On this program from 2001, the bassist takes center stage to discuss his favorite gigs and jam with host Marian McPartland in "Billie's Bounce" and "Midnight Sun."