Nate Chinen
[Copyright 2024 WRTI Your Classical and Jazz Source]
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The multi-instrumentalist prepares for his major-label debut by focusing on the fundamentals: namely, a solid groove.
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The cornetist, composer and bandleader combined a distinctly American harmonic palette with an openhearted emotional clarity uncommon in modern jazz.
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The opening track to the vibraphonist and composer's forthcoming album embodies a spirit of quiet humility and common purpose, with a deceptively simple motif that opens up through repetition.
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Though the trumpeter Lee Morgan was killed in 1972, his legacy was well maintained. At least it seemed so, until one fan discovered last year that Morgan's gravesite seemed to have vanished.
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Working with his superbly intuitive band — Micah Thomas on piano, Daryl Johns on bass, Kweku Sumbry on drums — we listen in on Wilkins' powerful January performance, recorded live at PhilaMOCA.
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Glasper's piano sets a chiming gospel loop, over which Killer Mike and Big K.R.I.T. rap verses about perseverance and positivity.
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Saxophonist Tony Malaby, unlucky at the beginning of the pandemic after catching a very early case of the virus — the subsequent isolation imposed on his playing led him to a unique solution.
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We remember some of the luminaries we lost this year: Chick Corea; Milford Graves; Dr. Lonnie Smith; Pat Martino; Dottie Dodgion; Howard Johnson; Slide Hampton; Curtis Fuller; and Ralph Peterson Jr.
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WBGO's Nate Chinen reflects on the year in jazz.
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The pair took a close look at the subtexts of Euripides' sad, epic tale of Iphigenia — agency, testosterone, violence, faith — and, through a suite of new music, hold them up to the light.