Ernest Chausson's Poeme de l'amour et de la mer is a 19th-century song cycle about love, loss and the sea and illustrates the way music and poetry can move us.
Born in Paris in 1855, Ernest Chausson became a student of literature, poetry, and music. In 1890, he combined these passions in Poeme de L'amour et de la mer—a song cycle for soprano and orchestra.
Philadelphia Orchestra Music Director Yannick Nézet-Séguin, who is drawn to the interplay between romantic texts of Maurice Bouchor and Chausson's lush orchestration, says the work should be played more often.
"This is just an amazing collection of poems and it got me thinking how color in symphonic music can be ... a way of getting to a true soul of a piece."
"I love being able to step into those phrases and into the poetry of it all and just get lost a little bit in it," says mezzo soprano Joyce Di Donato. This is something to be discovered by an audience. You can enter into the texture and into the sound world very immediately as an audience member and then it carries you away."
Such is the power of music, she says, and it should be shared beyond the concert hall -—a belief that's led her to sing in prisons, refugee camps, and with children in underdeveloped countries around the world, bringing music into their classrooms.
She speaks passionately about hearing children talk about how they feel free when they sing.
"I've seen firsthand how powerful that is. It is a tool to change the world because it changes people's vision of themselves. It connects them into their community and into themselves in a way that very few other things can. And if you have human beings that are connecting, there is power in that."