Edvard Grieg

April 27, 2020. With the sun higher in the sky and the chill in the air fading away, the promise of spring is all around us, even if we aren’t celebrating it quite as we would hope to. If there could be a compensation prize for bearing up at home, with so many uncertainties and having to watch the tulips bloom from inside, it's surely this gem—Philadelphia violinist Elena Urioste’s new album, To the Spring.

Steve J. Sherman

Join us on Sunday, July 21 at 1 PM as Yannick Nézet-Séguin, in a concert from 2018, conducts a program featuring a world premiere of a work by Nico Muhly, one of the most popular of all piano concertos,—Grieg’s A Minor—and the work Rachmaninoff composed with the Philadelphia Sound in mind, the Symphonic Dances. André Watts is soloist.

August 13, 2018.  On their new album, Israeli-American cellist Inbal Segev and Finnish pianist Juho Pohjonen combine their artistry in three ultra-Romantic works. Released this summer, Chopin, Schumann and Grieg features their interpretation of sonatas by Chopin and Grieg, and Robert Schumann’s Fantasiestücke, Op. 73.

Edvard Grieg was just 24 when he wrote his only completed piano concerto in 1868. It's one of his greatest works, and launched his international career. WRTI’s Susan Lewis talks with pianist Lars Vogt about why he loves playing it.
 


The Connections of Niels Gade

Aug 30, 2017

Coming up on Discoveries from the Fleisher Collection, Saturday, September 2nd, 5 to 6 pm: Part of the joy of producing Discoveries from the Fleisher Collection is in the finding of connections. We’ve seen, for instance, how the German-English Frederick Delius became a real composer in 1884 by living in Florida, and we idly notice that this is the same year Niels Gade wrote Holbergiana, his tribute to the great writer Ludvig Holberg. This of course reminds us of the famous Holberg Suite of Edvard Grieg. We see that it, too, was written in 1884, and we wonder why.

Wilhelm Peterson-Berger, Home at Last

Mar 29, 2017

On Discoveries from the Fleisher Collection, Saturday April 1st, 5 to 6 pm. It almost seemed as if Wilhelm Peterson-Berger was never at home. Born 150 years ago, he grew up in a small northern Swedish town, Umea, nearer to Lapland than to Stockholm. He felt hemmed in and he longed for the wider world. When he discovered Edvard Grieg’s mix of moody lyricism, myth, and folk culture, he was transfixed. He knew that he must become a composer.

A World-Renowned Contemporary Norwegian Pianist Discusses His Fellow Countryman Edvard Grieg

Leif Ove Andsnes, one of the world's greatest interpreters of Grieg's music, discusses how Norwegian folk music influenced the late 19th-century composer.