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What's the best way to listen to Saturday matinee broadcasts of The Metropolitan Opera? On WRTI, of course! Join us on Saturdays at 1 PM for the entire 2021/2022 season of opera broadcasts starting on December 4th at 1 PM. After a year of encore broadcasts, our live Met Opera broadcasts are back and better than ever with host Debra Lew Harder and commentator Ira Siff.
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Join us on Sunday, Dec. 5th at 1 PM on WRTI 90.1 and Monday, Dec. 6th at 7 PM on WRTI HD-2 when conductor Nicholas McGegan—best known as a baroque and classical specialist—will be on the podium to conduct this 2018 concert broadcast featuring music not only of the baroque era, but also later re-imaginings of that past.
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As the Los Angeles Philharmonic broadcast season comes to an end January 11th, two new programs will take the Friday 8 pm slot on WRTI's All-Classical…
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WRTI's Jazz Hot 11 is a weekly countdown of your favorite new jazz releases in rotation.This week's Hot 11:1. Metropolitan Jazz Orchestra - Bridge Over…
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Alan Gilbert conducts this week's New York Philharmonic concert. Gil Shaham is guest soloist for the Violin Concerto by Samuel Barber. We'll also hear…
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Join Jill Pasternak and Wanamaker Grand Court Organist Peter Richard Conte in our monthly program, recorded at Macy's Center City, on the world-famous…
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The Met offers a rare opportunity to hear Hector Berlioz’s vast epic, last performed at the Met in 2003. Deborah Voigt, Susan Graham, Bryan Hymel, and…
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WRTI welcomes the Bucks County Choral Society to our broadcast line up. Don't miss a recording of the opening concert of their 40th season with Music…
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Join Bob Perkins from 6 to 9 pm as he brings you more of his jazz favorites...but without the seasonal flair. BP will kick off your New Year's Eve…
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Ring in the new year as we celebrate Philadelphia as the music city that it is. You can revisit the city’s past with music from Grover Washington, Jr.,…
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One of the highlights of the Christmas season is to hear Handel's Messiah in performance. This year, on Christmas Day at 12 noon, we'll bring you a…
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The New York Times calls Thomas Adès’s masterpiece “one of the most inspired, audacious and personal operas to have come along in years….and offers a…