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Do conservatories produce "cookie cutter" musicians? (At least they'll be able to play a certain Jimmy Heath blues well.)
More links from this week:
Interesting discussions at George Colligan's blog this week. An informed opinion on the charge that music schools . Some thoughts on sight reading, that misunderstood skill among the jazz community. And a low brass forum erupts.
At the WBGO blog, there are interviews with master drummer and educator Charlie Persip and saxophonist Kenny Garrett, who you may know has recently put out a new studio album. Also, memories of Ron Carter and Jack DeJohnette from the JazzSet vaults.
Capsulocity is a short video interview series with young (mostly jazz) musicians in New York. We mentioned it earlier this week but only in passing.
Guitarist Vernon Reid briefly talks Spectrum Road, the new jazz-rock supergroup with Jack Bruce (of Cream), John Medeski and Cindy Blackman Santana.
Pianist Myra Melford is one of five winners of the 2012 Alpert Awards in the Arts. The award is worth $75,000.
Lester Young, clarinetist. He was known as a tenor saxophonist, of course, but also kept a cheap metal clarinet on his arsenal. From Aesthetic, Not Anesthetic, who also recontextualizes, say, early cornetist Red Nichols.
The Jazz Gallery, a New York venue supporting emerging artists, needs to move and raise a whole bunch of money to do it. (NPR Music has recorded live from the Gallery in recent years.) Howard Mandel reports.
More on Cecil Taylor, who is being feted this month in New York. Seth Colter Walls reviews an early tribute.