As a kickoff to Jazz Appreciation Month, we're looking ahead to Record Store Day. There's another great haul of archival releases dropping on April 12. Two of our favorites were recorded in the same room in 1967 by two amazing trumpeters, Kenny Dorham and Freddie Hubbard.

Pianist Renee Rosnes has loved Brazilian music for ages, but hadn't devoted an album to it until 'Crossing Paths.' It landed in the same season as a new effort from Artemis, which she founded almost a decade ago. In this episode, Rosnes talks about both projects, and her own path from rural Canada to the heart of modern jazz.

Bassist Endea Owens specializes in the kind of buoyant uplift that just won’t quit. You can see her putting it into practice on The Late Show with Stephen Colbert, or with her band The Cookout. At the 2025 Winter Jazzfest, we talked about her TV gig, her sense of mission, and her resilient journey.

Aja Monet has lately breathed new life into the rich exchange between spoken word poetry and jazz. We sat down with her at the 2025 Winter Jazzfest performance, to talk about poetic practice, political necessity, and musical imperatives. Don’t miss some deep truths from one of our most committed truth-tellers.

What was up with the jazz field at this year’s Grammy Awards? A big win by a legend who died three years ago? Two major awards for a Christmas release? Here to talk it all down with Nate is the esteemed critic Natalie Weiner. You won’t find a more swinging recap of Music’s Biggest Night.

Bassist and bandleader John Clayton was in New York to receive an award when he learned that the Eaton wildfire had destroyed his home of 40 years, along with his daughter’s home and many others. He lost everything, including irreplaceable heirloom instruments. But as he tells The Late Set, speaking from temporary living quarters in L.A., he is focused on what lies ahead, and the overwhelming love and support that has flowed in from all corners.

For our first episode of 2025, Nate and Josh talk through a few New Year’s resolutions. And we’re sharing one of our favorite interviews in recent memory: a sit-down with Samara Joy, her father and her grandfather at Mother Bethel AME Church.

We're looking back at the stories, themes and other highlights from a jam-packed year — including Blues Blood, an album by our guest, alto saxophonist Immanuel Wilkins.

The jazz vocal tradition is always evolving, but rarely does that notion feel truer than in the output of Michael Mayo, who stopped by our studio to talk about his dynamic second album, Fly.

As Thanksgiving rolls around, it’s a good time to ask: what are we grateful for? Here at The Late Set, our first answer is you, our listener. So we decided to spend this holiday episode answering your questions.