"Live at the Village Vanguard" is one of the most familiar phrases in the jazz discography, a marker of place and a point of pride. But why? Together we’ve logged hundreds of hours in the club, so let's talk about it. Tumble down those stairs with us and listen up!

On his fine new Blue Note album, Words Fall Short, saxophonist Joshua Redman introduces a band full of up-and-comers, including Philly’s own Nazir Ebo. This young cohort reminded us of a conversation The Late Set had with Redman in the fall of 2023. We're sharing it again with you now.

Painter of the Invisible is Jaleel Shaw's first full-band album in more than a dozen years. But it's not as if Shaw, an alto and soprano saxophonist from Philadelphia, has been slacking; as he explains in this revealing episode of The Late Set, the pause had more to do with high standards and pure convictions.

Jaleel Shaw's elegy "Tamir" is vividly rendered in this exclusive live performance at Solar Myth, available exclusively on The Late Set.

Louis Armstrong belonged to the world. But for more than half of his illustrious career, he made his home in Corona, Queens — where we recently paid a visit to the Louis Armstrong House Museum. There we sat down with Ricky Riccardi — the museum's Director of Research Collections, and a celebrated Armstrong biographer — to discuss Satchmo's life and career.

We’ve reached the midpoint of 2025, and listened our way through well over a hundred albums. In this episode, we’re sharing half a dozen of our favorites.

Pianist-composer Amaro Freitas creates music with a vivid sense of place. His native Brazil pulses through his most recent album, Y'Y, which mixes jazz with Afro-Brazilian and indigenous music, and the sounds of the Amazon. Freitas discusses this and more with Josh Jackson, in a deeply searching conversation recorded backstage at New York's Winter Jazzfest earlier this year.

The spiritual and the sensual find common cause in the music of harpist Brandee Younger. Before a recent show at Solar Myth, she sat down with The Late Set to talk about her instrument, her cohort, and her third Impulse! release, Gadabout Season, which finds her in exceptional form.

"Running and listening can illuminate each other,” argues critic Ben Ratliff in a new book, Run the Song: Writing About Running About Listening. He recently sat down to talk about the book, its back story and his listening practice with friend and colleague Nate Chinen at Solar Myth.

Violinist Jenny Scheinman grew up along Northern California’s so-called Lost Coast, and she carries its rustic charm and mystique in her music — even when it assumes a form as elegant as the songs on All Species Parade, her recent double album. She talks with Josh Jackson about the album and other matters before a recent performance with her band at Solar Myth.