
The Late Set
Biweekly
Jazz is a conversation — and that’s what The Late Set is all about. Originated by critic Nate Chinen and broadcaster Greg Bryant, the show now convenes Chinen and Josh Jackson twice a month for perceptive variations on a theme, and their related interview with a special guest. Just like a hang at the end of the gig, in the back of the club, it’s direct, unfiltered and illuminating, revealing the music and its culture in a deeper light.
Latest Episodes
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What was up with the jazz field at this year’s Grammy Awards? A big win by a legend who died three years ago? Two major awards for a Christmas release? Here to talk it all down with Nate is the esteemed critic Natalie Weiner. You won’t find a more swinging recap of Music’s Biggest Night.
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Bassist and bandleader John Clayton was in New York to receive an award when he learned that the Eaton wildfire had destroyed his home of 40 years, along with his daughter’s home and many others. He lost everything, including irreplaceable heirloom instruments. But as he tells The Late Set, speaking from temporary living quarters in L.A., he is focused on what lies ahead, and the overwhelming love and support that has flowed in from all corners.
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For our first episode of 2025, Nate and Josh talk through a few New Year’s resolutions. And we’re sharing one of our favorite interviews in recent memory: a sit-down with Samara Joy, her father and her grandfather at Mother Bethel AME Church.
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We're looking back at the stories, themes and other highlights from a jam-packed year — including Blues Blood, an album by our guest, alto saxophonist Immanuel Wilkins.
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The jazz vocal tradition is always evolving, but rarely does that notion feel truer than in the output of Michael Mayo, who stopped by our studio to talk about his dynamic second album, Fly.
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As Thanksgiving rolls around, it’s a good time to ask: what are we grateful for? Here at The Late Set, our first answer is you, our listener. So we decided to spend this holiday episode answering your questions.
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“I’m a jazz musician first, I feel,” says Bilal. Maybe this comes as news to the many admirers who know him as an ethereal singer with a shape-shifting R&B profile, or as one of the original catalysts for neo-soul. On a compelling new album, Adjust Brightness — his first studio release in almost a decade — Bilal explores a galactic sweep of sound, making genre distinctions feel all the more irrelevant to any conversation.
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“Dreams do come true.” That’s how Greg sums up this episode, as he and Nate talk with master drummer Jack DeJohnette about an incredible recording made in the spring of 1966. Featuring a ferocious quartet co-led by pianist McCoy Tyner and tenor saxophonist Joe Henderson, it captures each of those giants at a turning point in his career. Blue Note Records will release this album, Forces of Nature: Live at Slugs’, on Nov. 22.
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WRTI’s Josh Jackson subs in for Greg, talking with Nate about their rich experience at the Pittsburgh International Jazz Festival. Their guests are saxophonist Chris Coles and trumpeter Sean Jones, who had just performed a powerful suite titled Nine Lives. Coles composed the suite in response to a 2015 church shooting in Charleston. This conversation touches on the power of grace, the call to forgiveness — and a quietly thriving jazz scene in Akron, Ohio.Submit your questions and voice memos for our Mailbag episode here: editor@wrti.org
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Urgency is a currency for Isaiah Collier, an ambitious young saxophonist from the South Side of Chicago. During a recent visit to Philly, he sat down with us to talk about stirring emotions, channeling energies, and his problem with the term “spiritual jazz.”