Baltimore Rebirth: A New Bloom Of Jazz In Charm City
"Growing up where I grew up — it's everything." If there's a touch of defiant pride in Kris Funn's voice as he says these words, maybe that's only natural: Funn, a highly regarded bassist, is talking about Baltimore.
In the 1920s and '30s, Baltimore was a mecca for African American popular music. It was still a jazz hotbed well into the '60s, but then Baltimore fell into a long series of struggles and setbacks. Funn, who came up in Charm City during the Reagan era, recalls the whir of police helicopters overhead — a sense memory he incorporated into one of his tunes, "Ghettobird."
The city has recently seen a resurgence, and jazz is one notable part of that story. That's what we'll focus on this episode of Jazz Night in America, featuring music from the Baltimore Jazz Collective — founded by trumpeter Sean Jones, who now leads the jazz program at The Peabody Institute of The Johns Hopkins University. We'll hear the band at Keystone Korner Baltimore, which opened last spring and became the city's first major jazz club in ages.
We'll also hear tales from the Baltimore jazz scene past and present: from Keystone Korner proprietor and NEA Jazz Master Todd Barkan; from Jones and Funn; and from Todd Marcus, a bass clarinetist and community activist who also plays in the Collective and has made the revitalization of West Baltimore his all-consuming mission, one step at a time.
Sean Jones: trumpet; Todd Marcus: bass clarinet; Kris Funn: bass; Mark Meadows: piano; Brinae Ali: tap dancer; Quincy Phillips: drums.
"Thursday Night Prayer Meeting" (Kris Funn)
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