Patrick Jarenwattananon
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Following a high-energy main stage set — filled with turbocharged versions of standards, rags and his own party anthems — the young pianist and singer brought his band out into the audience. -
As New York prepares for its January music marathon, watch performances from last year, including Gretchen Parlato, Donald Harrison, Rudy Royston, Jacob Fred Jazz Odyssey and Hypnotic Brass Ensemble.
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The 25th anniversary of the holiday special brings together keyboard players of all stripes. Harold Mabern, Kris Davis, Lynne Arriale and Cyrus Chestnut play seasonal favorites for solo piano. -
A pianist who brought bebop to New Orleans and an educator to generations of music students, the elder Marsalis has become a father figure of modern jazz to more than just his famous sons. -
What would it sound like if someone bridged the gap between large ensemble jazz and classic hip-hop anthems? One multi-generational group of musicians has made it their aim to find out. -
O'er the ramparts of 190-year-old Fort Adams, we watched the keyboardist and bandleader urge us to "Believe in Love," accompanied by his Stay Human band, and then saunter away.
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Saxophonist Miguel Zenón likes to stack beats on top of each other. But he doesn't do it for the novelty: As he explains, he's also trying to tell a story about multiple national identities.
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Trumpeter Wallace Roney played Davis' understudy for many years. So it was fitting when he resurrected a long-lost orchestral composition that Wayne Shorter wrote for his mentor.
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After decades off the scene, the old-school virtuoso pianist and singer is re-establishing himself in New York. Every week, he welcomes guest performers to one of the city's smallest rooms. -
Wallace Roney presents the lost large-ensemble works of Wayne Shorter, originally written for Miles Davis in the 1960s. Plus, music from Detroit native Regina Carter leads things off.
