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  • Music Critic Jim Fusilli has a review of the latest recording from Tin Hat Trio, a group that blends an eclectic array of styles. The CD is called The Rodeo Erodes. (3:45) The CD is on Rope-a-Dope Records.
  • After a silent year in which artists were sent grants instead of invitations to perform, the beloved festival was determined to go on this year, as carefully as possible. And how possible is that?
  • Charlie Christian introduced the electric guitar to a wide audience. And even though he died in 1942 at 25, guitar enthusiasts remember his name — and his sound. Now there's a new collection of Christian's work. Tom Vitale reports.
  • In his special year-end installment of Director's Cuts, Ned Wharton, music director of Weekend Edition Sunday, offers musical gift suggestions, including albums by Tim Sparks, Joni Mitchell and Rachel Z.
  • In her self-titled debut album, Samara Joy approaches tunes immortalized by Sarah Vaughan, Billie Holiday, Ella Fitzgerald, and Carmen McRae with such maturity and erudition, you wouldn't guess that she never really studied, or performed any of their repertoire, until she enrolled in SUNY Purchase’s jazz program just four years ago.
  • Like singing in close harmony, a pair of guitars intertwine, finishing each other's phrases with radiant transparency in Ravel's magic garden.
  • Jazz percussionist Mongo Santamaria dies on Feb. 1 at 85. Santamaria scored a Top-10 hit with his version of Herbie Hancock's jazz-funk classic "Watermelon Man" in 1963. He also wrote the song "Afro Blue," later performed and made famous by John Coltrane. NPR's Elizabeth Blair has a remembrance.
  • Rock historian Ed Ward profiles blues singer Wynonie Harris who recorded between 1945 and 1952.
  • Bernard Haitink was one of the most celebrated conductors of his generation. On WRTI, we're joining classical music fans from around the world in remembrance of him today. His management company Askonas Holt posted this tribute to him last night.
  • The newest CD by jazz violinist Regina Carter, Motor City Moments, features compositions by her fellow Detroit natives like vibraphonist Milt Jackson and Marvin Gaye. Carter is garnering recognition for her jazz interpretations of pop-based material. Reuben Jackson has a review. (4:30) Motor City Moments, by Regina Carter is copyright 2000 on the Verve label, catalog # 314 543 927-2, see http://vervemusicgroup.com.
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