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For the Perry siblings of Tupelo, Miss. — ages 9, 14 and 16 — making music involves making unique instruments from car parts. The young family band with astonishingly mature blues chops demonstrates its craft in NPR's Studio 4A.

Country music legend Willie Nelson and jazz trumpeter Wynton Marsalis discover common ground and a mutual love of jazz standards and the blues on their album Two Men With The Blues. Here, the artists discuss their first-ever collaboration.

The veteran vocalist has a gift for putting the right words to a melody. She wrote some lyrics for her new CD, Distances, and she blends a poem by an Italian filmmaker with music by eccentric French composer Erik Satie.

Edwards is one of the last men who knew the iconic bluesman Robert Johnson.

Recently, the jazz-guitar virtuoso released his first studio recording in more than a decade. In a session on Jazz24, Jordan talks about his musical and personal evolution over the past 10 years, as well as his ongoing study of music's role in the healing process.

Whether blaring to the stratosphere or holding back to fit a room, Jon Faddis' trumpet is always in conversation. Faddis is a personal hero to many aspiring trumpeters. Here, he performs at Jazz Standard in New York with his quartet and guest percussionists from West Africa.

Allyson keeps enormously busy on the road and in the studio. This summer and fall, she's in Portugal, Spain, Brazil, Europe, and Turkey, as well as all over the U.S. If you ask her where she started to put it all together, she'd surely say Kansas City. Here, she performs from the city's Repertory Theater with her band.

Jay McShann, nicknamed "Hootie," helped define the Kansas City style of jazz, which mixed blues and boogie woogie. In this program from 1980, McShann talks about those early days in Kansas City and meeting a young sax player named Charlie Parker.

Saxophonist Frank Morgan led a life compelling enough for the big screen. A protege of Charlie Parker, Morgan took a dark turn that led to drugs, prison and, ultimately, redemption through music.

He was one of the great improvisers in jazz and together with Dizzy Gillespie, Bud Powell, and Thelonious Monk, he fashioned a new music called "Bebop."