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  • Canadian pianist John Stetch is an internationally acclaimed solo performer, praised for his inventiveness and technical brilliance. He's explored standards, the music of Monk, and even his Ukrainian heritage in his own unique style. Hear an interview and performance on Piano Jazz.
  • Reedman Buddy Collette has spent most of his music career on the West Coast, out of the national spotlight. But it would be a mistake to overlook his distinguished career as a jazz educator, activist, composer and, of course, phenomenal multi-instrumentalist.
  • Retailers everywhere already have December holiday music playing constantly. Isn't there a soundtrack for the November holiday, too? There is now. Enjoy a cornucopia of jazz that celebrates family, friends and food, featuring Louis Armstrong.
  • A gifted arranger and composer whose originals include "C.T.A." and "Gingerbread Boy," Heath has written charts for Chet Baker and Art Blakey. Heath cut his teeth in big bands with Dizzy Gillespie and Howard McGhee, and in this concert from the Blue Note, he's got his own.
  • Near the end of Miles Davis' career, he gave young Wallace Roney the gift of a trumpet. That blue horn — yes, silvery blue — has engaged in a lot of serious music-making, first with Davis and now with Roney as a solo act. Hear a concert performance captured by JazzSet.
  • This rendition of "Ida Lupino," recorded in 1965 and included on the Paul Bley Trio's newly reissued Closer, succeeds with an elegiac recurring motif, overtones of folk and the blues, rapturous glissandos, and an expert grasp of volume dynamics.
  • For the Perry siblings of Tupelo, Miss. — ages 9, 14 and 16 — making music involves making unique instruments from car parts. The young family band with astonishingly mature blues chops demonstrates its craft in NPR's Studio 4A.
  • Country music legend Willie Nelson and jazz trumpeter Wynton Marsalis discover common ground and a mutual love of jazz standards and the blues on their album Two Men With The Blues. Here, the artists discuss their first-ever collaboration.
  • The veteran vocalist has a gift for putting the right words to a melody. She wrote some lyrics for her new CD, Distances, and she blends a poem by an Italian filmmaker with music by eccentric French composer Erik Satie.
  • Edwards is one of the last men who knew the iconic bluesman Robert Johnson.
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