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At Monterey, Cullum links Gene Kelly's "Singin' in the Rain" to Rihanna's "Umbrella," segues from Cole Porter to Jimi Hendrix, delivers a personal manifesto on a Charles Mingus riff, leaps off the piano into the air and never lets his audience down.

Marian McPartland asked her friend Elvis Costello to sit in as guest host for this episode of Piano Jazz. The session features New Orleans legend Allen Toussaint, who sings and plays his hit tune "Southern Nights" and performs a duet with Costello on the pair's recent collaboration "Ascension Day."

For Bennett, the French song "It Was Me" is the essence of what happens when people fall in love.

Multi-instrumentalist Sam Rivers has sparked sessions by Miles Davis and Tony Williams, and he fostered New York's Loft Jazz scene of the 1970s. Now he's doing the same in the land of Mickey Mouse.

Piano Jazz remembers alto saxophonist Bud Shank, a West Coast jazz institution with a cool swinging sound that was instantly recognizable among jazz enthusiasts. Shank joined McPartland in 2006 and brought along bassist Martin Wind and drummer Tim Horner to perform "Lover Man" and "My Romance."

Blue Note Records is a record label for which the visuals carry almost as much artistic cachet as the music. The label's covers tend to employ generous amounts of white space, splashes of color, prominent shading and themes evoking introspection and celebration. All of that frequently translates to the music inside.

Pianist and composer Matthew Shipp has an intricate and heady approach to his music, with avant-garde impulses that have led him to experiment with free jazz styles, tape loops and even turntable artists. Here, Shipp settles into one of his favorite environs, the duo format, as he and McPartland explore the outer reaches on "Naima" and Shipp's own "Gamma Ray."

One of the great trumpeters of the swing era, "Little Jazz" talks about a career that includes collaborations with Fletcher Henderson, Gene Krupa and Billie Holiday. In this session from 1986, Eldridge also shows off his piano chops and vocal gifts.

When the young blues singer performs with a band, it's almost guaranteed to be an electrifying experience. But at Jazz24, Copeland came with just her voice and a guitarist. It was a rare opportunity to hear her powerful and soulful voice on its own.

From the late 1940s to the mid-'60s, Latin music was hugely popular in America's Jewish community. Entire albums were recorded as testaments to the phenomenon. One of them, which put Jewish classics to a Latin beat, has just been reissued. This weekend, it will be re-created in concert at Lincoln Center in New York.