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Covering music from Marian Anderson to ZZ Top, 1,000 Recordings to Hear Before You Die: A Listener's Life List covers all genres in its more than 900 pages. It's driven by the notion that "the more you love music, the more music you love." Author Tom Moon submits his picks for the best summer recordings.

The new CD, One Ounce of Truth, puts the vivid words of poet and writer Nikki Giovanni to music, using a wide range of musical styles like bossa nova, jazz and soul. NPR's Tony Cox talks with Giovanni and singer Capathia Jenkins about the project.

Horace Silver is a piano-playing, pencil-packing papa whose songs showcase a family of jazz characters such as "Sister Sadie" and "Senor Blues." His music filled Dee Dee Bridgewater's album Love and Peace: A Tribute to Horace Silver. This concert in his honor comes from the Discoveries at Walt Disney Concert Hall series in Los Angeles.

In the constant race to find the next cure for jazz (hint: it ain't broken), Aaron Parks seems perfectly content to set his own pace. The 24 year-old pianist discovered music intuitively. In a session from WBGO, Parks plays a mix of jazz and rock that's ultimately neither of those things.

"Nemesis" is less about being jazz or rock than it is about providing a sonic environment. Pianist Aaron Parks adds some contrasting touches: A mellotron and glockenspiel combine with piano and keyboards to create his own episodic drama. Coming from an album with the appropriate title Invisible Cinema, this is soundtrack music for a movie waiting to be filmed.

In the late 1990s, JazzSet made two visits to the Mt. Hood Jazz Festival in Gresham, Ore. Music started before noon, and as the sun burned the haze away, the snow-capped peak shimmered on the skyline, helping to inspire memorable performances by the Billy Childs Trio and the John Blake Quintet.

Ever since his 1958 live album from Chicago's Pershing Lounge, Ahmad Jamal has been recognized as a major force in jazz. In this program from 1985, Jamal reprises two signature pieces from that session in duets with Marian McPartland: "Poinciana" and "But Not for Me."

The Latin percussionist's classic 1972 album captures one of the greatest musicians of the 20th century at his peak. Bobby Sanabria, himself an award-winning bandleader, discusses the music and career of "El Rey del Timbal," Tito Puente.

When Scott Joplin wrote "Bethena (A Concert Waltz)" in 1905, his wife of two months had just died; Bethena may well have been her nickname. Now, more than a century later, "Bethena" sounds as fresh as it if were written just minutes ago, a tender and heartfelt remembrance of a love lost.

On their first recording together in more than 50 years, saxophonist James Moody and pianist Hank Jones show that the elder statesmen of jazz can still play beautifully. Our Delight displays the golden virtues of jazz with warmth and grace.