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'Saamagam,' A New Cross-Cultural Concerto By Amjad Ali Khan
Drawing from ten different traditional ragas, the Indian master has created an East-meets-West mashup for sarod and symphony orchestra. Hear a sneak preview of the May 10th release.
Guest DJ: Simone Dinnerstein
The mild-mannered pianist is fiercely devoted to expressing rhythmical freedom in the musical line. Hear her pick favorite recordings by artists who share her aesthetic.
First Rites: Jazz Goes Stravinsky
The Bad Plus isn't the only piano trio to have recorded parts of The Rite of Spring. Hear from the band E.S.T. and its late leader, pianist Esbjorn Svensson, about their hidden take on "Spring Khorovod."
Long-Lost Love Songs From A Cajun Music Pioneer
New Orleans singer and accordionist Amede Ardoin made some of the earliest zydeco recordings. Those rare 78 RPM discs have been collected and remastered on a new compilation.
Listen
•
10:45
Portico Quartet: Slightly Sinister, Soft And Steely
Portico Quartet's "The Visitor" mixes the flavor of indigenous percussive music with a heady, chamber-jazz rigor, creating sounds both ethereal and musically solid.
Vittorio Grigolo: A Rising Tenor Takes His Time
He may have made it to the stage of La Scala at 23, but the so-called "next Pavarotti" says patience and moderation have been guiding principles in his career.
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•
8:27
Before 'Ipanema,' Stan Getz's Exquisite 'Quintets'
Before he was famous for popularizing bossa nova with "The Girl from Ipanema" in the early 1960s, saxophonist Stan Getz recorded with small jazz groups all through the '50s. Jazz critic Kevin Whitehead says a new reissue shows Getz was one of the best at playing pretty.
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•
7:05
Brian Carpenter: Eclectic Jazz, Rooted In Americana
Singer-songwriter Brian Carpenter has cited places like Coney Island and the Florida Panhandle as inspiration for his work. On his latest album, Hothouse Stomp, Carpenter musically travels back to the jazz scene in 1920s Harlem and Chicago.
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•
17:16
John Renbourn: Renaissance Dance
The great British guitarist returns after a 12-year hiatus with the entrancing "Palermo Snow." The song's Arabic/Mediterranean sound evokes the tune's inspiration: a rare snowfall in Palermo, Sicily, when Renbourn was there for a concert.
Marcia Ball: A Witty Way With An Old Cliche
Ball infuses "Everybody's Looking for the Same Thing" with Texas twang and a bluesy, rollicking piano style. The song has a chunky, mid-tempo beat, suitable for those who like to two-step — or, as Ball says, "just sway back and forth."
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