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The artist brings his musical family together across jazz, R&B and hip-hop to the Tiny Desk.

Every day in March, with the exception of Sundays, a different woman composer will take the spotlight at WRTI, with her music played at the start of the 9 a.m. and 3 p.m. hours from Monday through Friday, and to begin the 10 a.m. hour on Saturdays.

John Szwed wrote the definitive biography of Sun Ra almost 30 years ago. As a new documentary revives interest in the visionary artist and interplanetary being, Szwed revisits his subject, considering what he means today.

Even though it seems like winter just won't quit, our region always enjoys a spring rush of concert activity. Fanfare has the latest, including a Baroque devotional program from Variant Six and Filament.

March is here, and with it we kick off Women’s History Month in high style, while welcoming some marquee talent from out of town.

Jeffrey Epstein and Ghislaine Maxwell lavished money on the Interlochen Center for the Arts to gain access, documents show. In the process, two teenagers were pulled into their orbit.

The groundbreaking choreographer, who is also the first Black director at the Metropolitan Opera, says she found self-expression through dance.

Sixty years ago, Esquire magazine published a now-iconic photo of jazz luminaries. NPR talks with saxophonist Sonny Rollins, one of only two surviving artists in the photo.

Redman's angular melody entwines with a countermelody by Ron Miles on cornet, as bassist Scott Colley and drummer Brian Blade percolate the groove.

This piece, from a new album of orchestral works by Richter, depicts the opening of Virginia Woolf's Mrs. Dalloway by pairing pulsating rhythms with the composer's signature wistful melodies.