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  • "An excursion into Renaissance Italy." That is how jazz critic Murray Horwitz describes The Comedy, which tells the story of several fictional denizens of the 1500s. The album also has a surprise appearance by Diahann Carroll, of Dynasty fame.
  • Members of the Jimmie Lunceford Orchestra were often called the "Trained Seals" for their well-rehearsed precision and tight unison playing. This album's "Sleepy Time Gal" and "My Blue Heaven" exemplify the creative style of one the greatest bands of the 1930s.
  • Trumpet star Wynton Marsalis, co-founder and director of Jazz at Lincoln Center, is hosting a benefit concert and auction Saturday night to raise money for the Higher Ground Hurricane Fund. Artists lending their talents include James Taylor, Buckwheat Zydeco, Norah Jones and many others.
  • Rita Coolidge's 1977 solo album, Anytime Anywhere, sold millions of copies. Three singles made the top of the charts, including "We're All Alone." Nearly three decades later, Coolidge sings the same tune on a new CD of jazz standards.
  • Jazz critic Kevin Whitehead reviews Simulated Progress, from the co-operative trio Fieldwork. The CD features Vijay Iyer on piano, Steve Lehman on alto and sopranino saxophones and Elliot Humberto Kavee on drums and percussion.
  • Rock historian Ed Ward reviews a new history of gospel music, People Get Ready! by Robert Darden.
  • Wynton Marsalis puts down his horn and picks up his pen for his latest project: Jazz ABZ. In the book, the jazz trumpeter shares his deep knowledge of jazz in all its forms with children.
  • Jazz drummer Harvey Mason has played with a constellation of musical stars over the years: Miles Davis, Aretha Franklin — even Christina Aguilara. His new CD is titled With All My Heart.
  • NPR's Tony Cox speaks with jazz guitar virtuoso Russell Malone. His new CD is Playground.
  • The CD that Ray Charles spent much of the last two years of his life working on is released. Called Genius Loves Company the CD features duets with Norah Jones, Van Morrison and BB King, among others. NPR's Tom Moon has a review.
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