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  • The Philadelphia Orchestra's principal guest conductor, Nathalie Stutzman, has been named music director of the Atlanta Symphony Orchestra. She follows in the footsteps of only a few women trailblazers leading major American orchestras, including Marin Alsop and JoAnn Falletta.
  • On a new album, the classical stars revisit the concerto Williams composed specifically for Ma, as well as some of Williams' most affecting film scores.
  • Pianist Laurence Hobgood has been a fixture on the Chicago jazz scene for years. He has recently come to prominence as pianist, musical director and co-producer for the much-celebrated jazz singer Kurt Elling. The pianist gives an interview and performance on Piano Jazz.
  • A performer of boundless energy, Sammy Davis Jr. was known for plowing over audiences with flim-flam and razzle-dazzle. But in the studio, the diminutive don of the Rat Pack was, at times anyway, a serious singer. Here, he performs in a desolate cocktail bar, with only a guitarist for support.
  • Mozart's premier creative partnership with Lorenzo Da Ponte produced a masterpiece for the ages, and one of the only successful sequels to an existing plot. This comic opera continues where playwrite Beaumarchais' The Barber Of Seville leaves off.
  • How Vivaldi β€” as well as Handel, Haydn and Rossini β€” made hits out of a single poem filled with passion, violence, mystery and magic.
  • Meet 18-year old classical and jazz trumpeter Aidan Peterson, a member of Settlement Music School's Helen K. Schwartz Advanced Jazz Ensemble and the Juilliard Pre-College Orchestra.
  • In this version of Fanfare, the lack of performances over Thanksgiving week allows us to focus on what we're truly thankful for: the music we hold dear, and you.
  • In 2009, when the other Big Three automakers were filing for bankruptcy protection, Ford CEO and auto-industry outsider Alan Mulally helped the company post its first annual profit in four years. In American Icon, journalist Bryce Hoffman explores how Mulally helped Ford avoid the fate of its fellow automakers.
  • From the absurd and campy to the spooky and truly frightful, you’re sure to find something in these 10 tunes that speak to what you love most about Halloween.
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