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Valentine's Day is great for lovers, but what about those who have loved and lost? Don't they deserve a Valentine's gift, too? Absolutely. Here are five deliciously heartbreaking songs of love lost by some of the greatest jazz singers of all time. You might be lonely, but you're not alone.

As a staff producer at Columbia Records in the 1950s, Macero produced jazz albums by Charles Mingus, Thelonious Monk, and Dave Brubeck. But it was his work with trumpeter Miles Davis, especially in the late '60s, that earned him the most recognition.

WXPN's Blues Show host Jonny Meister counts off his 10 favorite blues albums of 2007, including harmonica player Bobby Rush, guitarist James Blood Ulmer and singer Marie Knight.

Every year, Valentine's Day brings the same old sappy cards, chocolates, and heart-shaped jewelry — stuff that's nowhere near as special as retailers would have you believe. Why not impress your sweetheart with some music inspired by love instead?

Boleros are a form of love song that originated in Cuba in the 19th century, and the lyrics reflect themes of bittersweet, unrequited, betrayed, or eternal love. Not all of these songs are strictly boleros, but they all maintain the tradition — and, more importantly, the feeling.

Pianist Arturo O'Farrill, son of the Latin jazz pioneer Chico O'Farrill, now conducts the Afro-Latin Jazz Orchestra in New York. He picks five jazz albums which he says changed his life.

The nation's blowhards have just a few days left to indulge in a time-honored quadrennial tradition: announcing that, if a certain candidate is elected president, they'll pull up stakes and move to Canada. Before jumping in the car and heading north, get to know some of the music that you'll soon call your own.

In the piano trio, only three instruments are involved, so the thoughts and actions of musicians must be absolutely in sync with one another. Pianists like Bill Evans and Keith Jarrett have led legendary trios, but here are five piano-trio leaders who keep the acoustic jazz tradition alive in fresh ways.

Rock music may give the electric guitar fire, but avant-garde jazz musicians often re-think the instrument beyond its basic, melody- and rhythm-based functions. Here are five musicians who eschew standard conventions and instead approach the guitar as a device of pure sound.

In the 1960s, European musicians began to reinvent the occasionally strident sounds of American avant-garde jazz to suit their own ideas. Norway, in particular, produced its own distinct regional aesthetic — no doubt influenced by its icy landscape.