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Better known as the "keys half" of the Benevento/Russo Duo, Marco Benevento developed Invisible Baby from a batch of compositions that didn't fit the duo format. Here, he plays jazz piano backed by spot-on rhythmic textures and powerful crescendos.

Eighties absurdo-disco band Was Not Was has a new album. David Was shares some of his thoughts about embarking on a rock and roll odyssey at a time when he should be figuring out how to stretch his Social Security check.

Southern singer Lizz Wright crafts a distinct mixture of jazz, folk, gospel, and R&B, but she's been most widely celebrated as a rising star in the jazz world. Hear Wright give a performance and interview from WXPN.

For nearly 30 years, David Weiss and Don Fagenson have melded funk and absurdity as Was (Not Was). They talk with Scott Simon about their latest album, Boo!, the first in more than 15 years.

Trumpeter Nicholas Payton shares three songs from his latest CD, Into the Blue. The New Orleans native talks jazz and what it means to resonate. The new songs show a creative musician who knows himself, and bandmates who understand each other.

Tierney Sutton may have had a cold in the studio during this performance and interview from KPLU, but it's hard to tell. The L.A.-based jazz vocalist lays down minor-key versions of otherwise "happy" songs, including a haunting cover of "You Are My Sunshine."

It took many sleepless nights to perfect the Las Vegas lounge act. Singer Keely Smith and husband Louis Prima put in many hours on the Strip in the '50s to do just that. Smith recalls her time at the Sahara. A new collection of her work is out on CD.

Part of jazz trumpeter and composer Terence Blanchard's A Tale of God's Will served as the soundtrack to Spike Lee's When the Levees Broke documentary about Hurricane Katrina. Blanchard shares two solo piano performances with WBGO's Josh Jackson.

Percussionist Bobby Sanabria grew up in the musical melting pot of the South Bronx in New York City. Now, as the leader of a big band, it's no wonder that his brand of Latin jazz mirrors a panoply of Afro-Western styles from all over the Americas.

Mary Lou Williams was not only present for nearly every development in jazz music — she was influential to most of them. In her compositions, arrangements, piano playing, and teaching, she constantly advanced jazz music.