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  • The avant-garde improviser used to joke: "I do country music; it's just a matter of what country." Now on his first North American tour in more than two decades, he describes his atmospheric electronics and soft, subtle trumpet style.
  • O'Neal's Whirling Mantis is named for a defensive move in karate. The martial-arts reference suggests one way to look at how O'Neal's music operates: The players react to each other's moves, deflecting one another in stylized interaction.
  • Throughout the month of February, WRTI is proud to bring you a very special classical and jazz celebration of Black History Month.
  • As jazz critic Murray Horwitz puts it, "Just because a CD is a survey of Christmas music, it doesn't mean that it can't have great music." The all-star lineup of the 1990 album, Jingle Bell Jazz, includes Dexter Gordon, Duke Ellington, Miles Davis, and Herbie Hancock.
  • In his short but brilliant career, he pioneered a new standard of rapid-fire virtuosity on the electric bass and helped bridge the jazz and pop music of his day. Close collaborators offer a retrospective on Jaco Pastorius.
  • Singer Tierney Sutton burst onto the scene in 1999 with rave reviews for her first solo album, Introducing Tierney Sutton. Five albums later, critics and fans continue to marvel at her delicate, reflective vocal style. Hear an interview and performance on Piano Jazz.
  • There are no people named Claudia in the Claudia Quintet, but there is a fantastic drummer and composer named John Hollenbeck. His tunes crib from anywhere between minimalism and math-rock, while the band transforms it all into a sort of throbbing, cinematic and wacky jazz.
  • Watch the pianist, who's been called "a performer of near-superhuman prowess," play a smart set that spans six centuries.
  • Georges Bizet is only known for one opera — but he packs more hummable tunes than usual into it. This production features Roberto Alagna as Don Jose.
  • Can opera be passionate without shrieking mad scenes and overstuffed choruses? The answer is yes, and Claude Debussy's subtle, dreamy psychological thriller proves it, in a production from German Opera On Rhein.
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