© 2026 WRTI
Your Classical and Jazz Source
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations
 

Search results for

  • The members of Recap, four young women of color from New Jersey, have built a mission of gender equity into their striking debut album.
  • Widely regarded as one of the best guitarists of all time, blues legend B.B. King is still recording at age 82. Music critic Milo Miles reviews King's newest album, One Kind Favor.
  • Charles Mingus' monumental masterpiece "Epitaph" never saw the light of day during his lifetime. But the tempestuous jazz legend left his ambitious score to be discovered by new generations. Hear the full piece, a 2 1/2-hour affair for 31 musicians.
  • Adair was a superb soloist and tremendous accompanist, as well as the bedrock of Nashville's jazz scene after first relocating there in the early '60s.
  • Oliver Nelson began his career playing with the Jeter-Pillars Orchestra and St. Louis big bands. In a 1961 jam session, Nelson was joined by Eric Dolphy, Roy Haynes, Bill Evans, Oliver Nelson, Paul Chambers and Freddie Hubbard. The result was one of the great classics of the blues, The Blues and the Abstract Truth.
  • Ukraine's National Opera was built to celebrate Russian opera at the height of the imperial era. Performances were suspended after the war began but have recently re-started.
  • Eighties absurdo-disco band Was Not Was has a new album. David Was shares some of his thoughts about embarking on a rock and roll odyssey at a time when he should be figuring out how to stretch his Social Security check.
  • The sound of New Orleans Jazz is unmistakable. If you're in the Crescent City, there's one place you're sure to find it: Preservation Hall. A new, jam-packed box set celebrates the Preservation Hall Jazz Band master tapes that survived Hurricane Katrina.
  • WBGO Morning Jazz host Gary Walker shares his favorite jazz recordings of 2007. Among the artists he singles out: Michael Brecker, Abbey Lincoln, Maria Schneider and Ron Carter.
  • Born in the '60s, soul-jazz is a groove-oriented style built from the bottom up. You take a strong bass line, establish a steady groove between the bass and drums, and then embellish that groove with riffs and melody lines that draw heavily from gospel, blues and R&B.
241 of 401