© 2026 WRTI
Your Classical and Jazz Source
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations
 

Search results for

  • In the lead-up to next week's Supreme Court arguments on the health care act, Republicans have been energized by their desire to see the law repealed. But if the Supreme Court strikes it down, the ruling could complicate the GOP race.
  • The Supreme Court recently said police overstepped their legal authority by planting a GPS tracker on the car of a suspected drug dealer without a search warrant. The decision set off alarm bells at the FBI, where officials are trying to determine whether they need to change the way they work.
  • Commentator Miles Hoffman introduces a few famous dads whose children became master musicians.
  • Best known for his work on Hancock's blockbuster 1973 album Head Hunters, Paul Jackson was a bassist who found his musical identity between jazz and funk.
  • Willy Wonka and the Chocolate Factory turns 50 in June, and Hook turns 30 in December. Both were shaped by the English lyricist and composer Leslie Bricusse, who remains vital and busy at age 90.
  • President Bill Clinton said one artist inspired him to take up the saxophone: Dave Brubeck. Brubeck had a No. 1 hit with "Take Five," which is heard on Time Out. The album also illustrates the Brubeck Quartet's experimentation with complex poly-rhythms.
  • He is the most important jazz musician of all time, and even that's an understatement. Louis Armstrong defined American popular culture in the 20th century as a musician, an actor and an entertainer. As a singer and trumpeter, he taught the world to swing.
  • Jazz expression remains forever steeped in the innovations of Armstrong's trumpet solos. The scope and magnitude of his virtuosity was nothing short of world-altering. Each time he held his horn up to his lips, he made melodies ring out in a joyful, brilliant tone.
  • The violinist, once described as having a "controversial sense of fun," reflects on her self-confidence and her much-discussed album covers.
  • After finding an abysmally low number of women artists' work within jazz's unoffical book of standards, Carrington set out to fix the problem with a book of her own.
281 of 401