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On a new album, the classical stars revisit the concerto Williams composed specifically for Ma, as well as some of Williams' most affecting film scores.

New York City's heroes are traditionally celebrated way downtown, at City Hall Park. But at the J&R Music Festival, drum hero Roy Haynes leads the celebrations. Here, the octogenarian drives his Fountain of Youth band through a characteristically hard-driving set.

Pianist Laurence Hobgood has been a fixture on the Chicago jazz scene for years. He has recently come to prominence as pianist, musical director and co-producer for the much-celebrated jazz singer Kurt Elling. The pianist gives an interview and performance on Piano Jazz.

On Sept. 12, 1910, Gustav Mahler introduced his Symphony No. 8 -- a massive, hulking work featuring an enormous double chorus and the largest orchestra ever put on stage at the time. Conductor Michael Tilson Thomas says he thought it was the most "grotesque assemblage of noises" he had ever heard. But many years later, he has recorded a Grammy-winning version of the symphony.

Greg Tate's death left an immeasurable hole in the universe of cultural criticism. Vernon Reid, Matana Roberts, Jared Michael Nickerson and Christina Wheeler pay tribute to his music as Burnt Sugar.

Born in 1909, Ben Webster is considered one of the most important swing tenors in jazz. He also was a master of ballads, as exemplified on 1959's Ben Webster & Associates. The album features trumpeter Roy Eldridge and tenor saxophonist Coleman Hawkins.

Even a ubiquitous figure like Chuck Berry has neglected gems gathering spiderwebs in remote corners of his catalog. Blues helps fill in a bit of his legend, showing how he transferred devices used by generations of blues guitarists into the then-new rebellion of rock.

Mark Padmore and Paul Lewis find the bitterness between Schubert's deceivingly sweet lines.

The Grammy-winning jazz drummer Antonio Sanchez returns with a stacked list of guest artists, including his legendary abuelo, for the second volume of his Bad Hombre project.

Anointed the next bright hope of jazz, last year's breakout pianist took only two days to record his first solo album of originals and covers. Does it live up to high expectations? NPR's Tom Moon reviews the album here.