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  • Ten albums for newbies, the hated Cabaret Card and composer/arranger Gil Evans' centennial.
  • The instrument, known as "Lipinski" was stolen from the Milwaukee Symphony Orchestra's concert master last week.
  • The members of Recap, four young women of color from New Jersey, have built a mission of gender equity into their striking debut album.
  • Widely regarded as one of the best guitarists of all time, blues legend B.B. King is still recording at age 82. Music critic Milo Miles reviews King's newest album, One Kind Favor.
  • Charles Mingus' monumental masterpiece "Epitaph" never saw the light of day during his lifetime. But the tempestuous jazz legend left his ambitious score to be discovered by new generations. Hear the full piece, a 2 1/2-hour affair for 31 musicians.
  • Adair was a superb soloist and tremendous accompanist, as well as the bedrock of Nashville's jazz scene after first relocating there in the early '60s.
  • Oliver Nelson began his career playing with the Jeter-Pillars Orchestra and St. Louis big bands. In a 1961 jam session, Nelson was joined by Eric Dolphy, Roy Haynes, Bill Evans, Oliver Nelson, Paul Chambers and Freddie Hubbard. The result was one of the great classics of the blues, The Blues and the Abstract Truth.
  • Born in the '60s, soul-jazz is a groove-oriented style built from the bottom up. You take a strong bass line, establish a steady groove between the bass and drums, and then embellish that groove with riffs and melody lines that draw heavily from gospel, blues and R&B.
  • During the 1940s and '50s, Dameron focused his considerable compositional talents on the emerging jazz style called bebop. During a relatively brief period, Dameron composed a body of work that helped define and expand the parameters of this music.
  • Hear historic music from the Newport Jazz Festival, hand-picked by Christian McBride. Tune in to rare sets from Ray Charles, Cannonball Adderley, Sarah Vaughan, Duke Ellington and Louis Armstrong.
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