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  • The 1-800-GET-THIN marketing campaign and its affiliated surgical centers, which implant the Lap-Band for weight-loss, are being investigated by local, state and federal authorities. At least three wrongful death lawsuits have been filed and the Department of Insurance has launched an investigation into allegations of insurance fraud.
  • Former Louisiana Gov. Buddy Roemer seems to have hit on how to get noticed in his bid for the Republican presidential nomination: drop out of the race. Or, more specifically, redouble his efforts by switching to the nascent "Americans Elect" movement while seeking the Reform Party nomination.
  • The point guard was an unknown bench warmer for the New York Knicks until a few weeks ago. But after a series of breakout performances, the Taiwanese-American Harvard graduate is the toast of the town.
  • Less than two weeks before Russia's presidential elections, the country's independent media are in a state of anxiety. Government-run news outlets seem more open than ever to divergent viewpoints — but Russian officials may be targeting independents they think go too far.
  • There's new controversy over the New York Police Department's intelligence-gathering tactics after documents surfaced detailing information on Newark mosques and Muslim-owned businesses. Activists see it as an overly broad investigation of law-abiding Muslims, while local officials are upset by the department's reach outside New York City.
  • The L.A. musicians played for thousands and saw Venezuela's "El Sistema" music education up close.
  • The door closed behind Jennifer Higdon. She was in the office of her college conducting professor, Robert Spano, seeking advice about what to do. She had…
  • Artist biographies on websites, in concert programs and press releases are often deadly dull and irrelevant. Why not use them as vehicles for insight and engagement?
  • In its season opening production, New York's Metropolitan Opera abandons the tradition of darkening the skin of tenors portraying the title role in Verdi's Otello.
  • The Mexican tenor has, for the third time, commanded such a tremendous response from the Metropolitan Opera audience that an encore had to be sung during a production.
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