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Bach's 'St. John Passion' At Carnegie Hall
The Canadian ensemble and vocal soloists, including tenor Ian Bostridge, perform Bach's misunderstood St. John Passion.
Three Big Reasons to Donate Today! The 1/2 WRTI Spring Member Drive Starts Now!
You’ve heard that we’re cutting our Spring Member Drive in half, and it’s starting now! For a limited time, we have a 500-member goal challenge. How does…
Muscular Mendelssohn — On Fortepiano
A South African artist lays utter waste to preconceptions about period performances.
‘The voice is my river’: Meredith Monk reflects on 6 decades of music-making
The revered interdisciplinary artist, now in her 80s, remains vigorous and regards the joy of curiosity as the key to staying young.
Perfect Pairings: Programming Wine With Music
As a sommelier, my job is to pair wines with a guest's dinner - to find the perfect wine that speaks to that guest, but also matches the flavors and…
Five New Classical Videos You Need To See To Believe
From swaying elephants to a shirtless organist, there have been several "gotta see them to believe them" classical clips posted online lately.
Bob Perkins Reflects On His Old Friend, Jazz Legend Jimmy Heath
When I was a kid growing up in South Philly, there was an older fellow down the block who was trying to play an alto saxophone. He wasn't doing well at…
Why Steinway Is Likely To Be Sold To A Hedge Fund Manager
Steinway Musical Instruments is on the auction block and a mystery bidder, rumored to be hedge fund manager John Paulson, appears to have the winning bid at $458 million. Ilya Marritz explains why the fairly healthy company is seeking a buyout in the first place.
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•
3:50
Jo Lawry leads an all-star trio with the greatest of ease on 'Acrobats'
On Acrobats, singer Jo Lawry is aided solely by the rhythm team of Linda May Han Oh on bass and Allison Miller on drums. Rather than a reduction, the format opens up possibilities.
Respighi Resurrected: 'Marie Victoire'
Set against the frantic backdrop of the French Revolution, Respighi's Marie Victoire was slated for a 1915 premiere, but it never happened. Like his popular Pines of Rome, Respighi uses the orchestra like a jumbo box of crayons to create an explosion of color.
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•
2:45
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