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  • Cellist Steven Isserlis and pianist-composer Thomas Adès play together with uncommon instinct and energy. They shine in a recital of disparate pieces, culminating in a world-premiere recording of an eclectic new work by Adès.
  • The flow of good classical Christmas albums seems to have slowed to a trickle. And that's got one holiday listener longing for holiday albums from years past, from Jessye Norman's Christmastide, Duke Ellington's Nutcracker Suite and carols led by Robert Shaw.
  • This year, the most popular records made by young jazz musicians reflected hip-hop, R&B and the black community where they came from. When they broke through, they made an ongoing conversation about jazz's place in popular music more visible.
  • The world mourned the death this week of the Indian maestro whose name became synonymous with the sitar. Closer to Shankar's home, Indians mourned the man they affectionately call Pandit-ji, or Teacher. "He changed the whole approach to how an artist is perceived," says sitarist Shubhendra Rao.
  • Fridays are funnier with a classical cartoon at noon, from Deceptive Cadence.
  • A pair of revealing interviews, peacocks who talk and support — moral and financial — for orchestras: your guide to what you must know in classical music this week. Plus: the Schumann 'brand' and Dave Brubeck's encounter with Schoenberg, who wouldn't take even two.
  • This Twin Cities trio stages an annual holiday show at the Fitzgerald Theater in St. Paul; it's always the hottest ticket in town. Watch The New Standards perform for The Current.
  • The inspirational El Sistema music education program, developed in Venezuela, has Sao Paulo Symphony conductor Marin Alsop fantasizing about a better musical world. Her other orchestra, the Baltimore Symphony, is bringing similar opportunities to Charm City children.
  • Fridays are funnier with a classical cartoon at noon, from Deceptive Cadence.
  • Few people today remember E.T.A. Hoffmann, but most everyone is familiar with his most famous creation: The Nutcracker. NPR's Robert Siegel traces the history of everyone's favorite Christmas ballet all the way back to its much darker original version.
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