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The Soul Of The World's Most Expensive Violin
After being stored under a bed for a half-century, a $16 million violin is now in the hands of Anne Akiko Meyers, who's recorded Vivaldi's vivid Four Seasons.
Listen
•
7:20
Regina Carter's Jazz Genealogy
"The beauty was in the rawness," says the violinist, who based her latest album around field recordings from the American South.
Listen
•
8:08
Tierney Sutton On 'Song Travels'
Sutton and host Michael Feinstein compare back-to-back versions of jazz standards "Fly Me to the Moon" and "Without a Song" in a session.
Mary Lou Williams On Piano Jazz
Host Marian McPartland talks to her longtime friend and idol on the first episode, recorded in 1978 with Williams and bassist Ronnie Boykins.
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•
57:43
How Irish Are You? A St. Patrick's Day Puzzler
Know your shamrocks from rock bands, crooners from composers? See how green you really are by taking this interactive St. Patrick's Day puzzler.
Gerard Mortier, A Polarizing Impresario Who Transformed Opera
Whether you love or hate his ideas about commissioning new works and updating the classics, this Belgian impresario shifted public expectations of a night at the opera — permanently.
After A Bitter Struggle, DSO Brings 'Joy' To The People Again
The Detroit Symphony Orchestra has struggled financially, but after much work, it's set itself on solid footing and become a bright spot in a struggling city.
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•
6:18
Timo Andres On Q2 Music's 'Spaces'
The composer's music strives to reconcile a fascination with the past with a stylish, pointillist craftsmanship. He says he takes the same care in surrounding himself with objects he loves.
Ambrose Akinmusire: 'Music Can Tell You What It Wants To Be'
One of the most talked-about names in jazz, the 32-year-old trumpeter is more auteur than star. In an extended interview, he explains why it's crucial to let his collaborators think for themselves.
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•
5:27
First Listen: The Bad Plus, 'The Rite Of Spring'
A jazz trio plays the score to Igor Stravinsky's gloriously noisy, 101-year-old fever dream of a ballet as literally as possible — and still manages to sound like itself.
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