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How does music—without words—respond to political and social turmoil? WRTI’s Susan Lewis considers FREEDOM, a recording featuring flute, piano, and cello.…

Happy New Year from ICON Magazine and Nick Bewsey with a fantastic lineup of jazz CDs from last year!Best / Favorite Jazz Recordings of 2015Kamasi…

You'll hear two sparkling Baroque cello concertos on this month's Applause! broadcast of the Chamber Orchestra of Philadelphia, Sunday, January 18th at 5…

The popular jazz singer follows a familiar pattern on his new album: It's acoustic, unconcerned with fashion or complexity, and both overpowering and soothing. That's a good thing.

It's but a standard warhorse, plucked from a seemingly random live date in 1978. But once she initiates the finale sequence, you can only shake your head and smile.

In honor of International Jazz Day, our Throwback Thursday this week revisits five jazz tiny desk concerts that knocked our socks off. Ya dig?

Reunited after three decades, the pan-African "cosmic jazz" experimentalists throw an extended and ecstatic dance party, with throwback funk vibes and multiculti merger.

Wolfgang Amadeus Mozart (1756-1791) didn't play the flute, and once suggested he didn't even like it. But as WRTI’s Susan Lewis reports, he went on to…

On this month’s Discoveries from the Fleisher Collection, Saturday May 7th, 5 to 6 pm, we continue our recent survey of the earlier American composers…

Some see the Eiffel Tower as a feat of architecture, or the symbol of a great world capital. Composer Joseph Bertolozzi sees one big percussion instrument.