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Pyotr Ilyich Tchaikovsky—who wrote such lush, sweeping melodies for strings—composed one violin concerto. But in it, he put a world of emotions. WRTI's…

It is a strange phenomenon that oftentimes, very likeable and talented souls can go somewhat unnoticed, as far as broad notice and wide appeal is…

Praised as "champions of new music" by The New York Times, and now with a third consecutive Grammy nomination, The Crossing performs highlights of a new…

In the wake of pianist Emanuel Ax’s performances with Yannick Nézet-Séguin with The Philadelphia Orchestra this past weekend, join us on Sunday, December…

Join us on December 31st and January 1st for a fabulous lineup of classical music and jazz celebrations—must-hear LIVE broadcasts from Philadelphia to…

Composers of color have long had to compete with dead white men for space on the concert stage. A new project, spearheaded by Rachel Barton Pine, seeks to correct that for the next generation.

Kelsey Lu knew she wanted to play music from a young age. So, at 18, she left home to deepen that study. On her debut album, Blood, Lu explores what that decision meant.

A grassroots drive to preserve a historic building in downtown Atlanta is highlighting the city's somewhat forgotten role in early country music.

The jazz pianist's swing-for-the-fences opus references Old Testament prophets and collides retro-futurist synthesizers with horns and strings.

The Woodmere Art Museum's exhibition Freedom's Journal: The Art of Jerry Pinkney—which showcases the works of master watercolorist, Caldecott-winning…