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  • Fridays are funnier with a classical cartoon at noon, from Deceptive Cadence.
  • Yirga finds his way into Ethiopian standards, displays his flair for jazz over solo and ensemble pieces, and performs effortless homages to vintage soul. He holds everything together with voracious talent that helps him savor each musical flavor.
  • Lamenting Carter's death, trouble in Spokane and another award for Dudamel: what you need to read, in all the week's news that's fit to link. And one cheeky writer imagines that Colorado's lenient new marijuana law could make Aspen Music Festival recruiting a breeze.
  • The saxophonist has built up an impressive educational pedigree. But he's really flourished by backing up greats like Kenny Barron and Idris Muhammad, and being a first-call player on both the East and West Coast. He leads his quartet live at his alma mater.
  • RIP Ted Curson, a new jazz singer, the Jazz Composers Collective's modern history, Hurricane Sandy and downtown New York and Miles Davis in 1985. Plus: a Branford Marsalis interview, Arbors Records' Mat Domber, and what the Pittsburgh Steelers radio announcer does in his spare time.
  • The pianist, composer and teacher joins Marian McPartland in Harold Arlen's standard "Get Happy."
  • Now considered one of Verdi's masterpieces, the opera flopped on its first run and carries the stigma of cursing those who perform it to terrible fates.
  • The world-renowned conductor and pianist reflects on his late friend and colleague Elliott Carter, whose music he strongly championed: "Sometimes I think if Haydn were alive today, he would compose like Carter did in his last years."
  • When peace was declared at the end of World War II, Army veteran Harold Van Heuvelen did something different than his troop mates — he wrote a symphony. This week he traveled to Virginia to hear it performed for the first time.
  • Perhaps the most recognized contemporary composer in the world, Williams calls retiring "unthinkable." He celebrated his 80th birthday this year by working on the score for Steven Spielberg's new film Lincoln.
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