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  • Myrlie Evers-Williams is the widow of assassinated civil rights activist Medgar Evers. After her husband's death, she became a noted activist herself. But music has always been one of her loves, and she's about to fulfill a longtime dream on the Carnegie stage.
  • The newest album by the trumpeter and composer features his arrangements of hymns that his mother, who recently died of ovarian cancer, asked him to perform at her funeral service.
  • The Dutch violinist and conductor, often called "The King of the Waltz," is one of the most commercially successful classical artists in history. His latest release is an album and DVD of Christmas music called Home for the Holidays.
  • There's a certain intensity of spirit in jazz and improvised music, to the point where it occasionally aligns with religious worship. Of course, sometimes jazz musicians just like playing familiar songs. Here are five records, all from 2012, which run the gamut of Christmas jazz.
  • Not long after his shocking ballet, the composer branched out into a broad range of styles, ushering in new musical trends far from the violent tone of his iconic Rite of Spring.
  • Fridays are funner with a classical cartoon at noon from Deceptive Cadence.
  • The aggressively modern ballet premiered in Paris in 1913, and provoked a response just as striking as the music and dance.
  • Don't know neo-nationalism from neoclassicism? Bone up on the surprisingly multifaceted career of Igor Stravinsky, the man who gave us the iconic Rite of Spring.
  • Watch the energetic conductor take flight conducting the London Symphony Orchestra in Stravinsky's iconic score. A recently released DVD of a 1966 performance includes an interview with Bernstein, in which he says the famously brutal music "makes a marvelous kind of savage sound."
  • Musically speaking, it's hard to discern much of a connection to The Rite Of Spring in saxophonist Phil Woods' Rights Of Swing suite. But in the final "Presto" section, he and his French horn player leave a little Easter egg for us — like many jazz recordings before and after it.
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