Kevin Whitehead
Kevin Whitehead is the jazz critic for NPR's Fresh Air with Terry Gross. Currently he reviews for The Audio Beat and Point of Departure.
Whitehead's articles on jazz and improvised music have appeared in such publications as Point of Departure, the Chicago Sun-Times, Village Voice, Down Beat, and the Dutch daily de Volkskrant.
He is the author of Play the Way You Feel: The Essential Guide to Jazz Stories on Film (2020), Why Jazz: A Concise Guide (2010), New Dutch Swing (1998), and (with photographer Ton Mijs) Instant Composers Pool Orchestra: You Have to See It (2011).
His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.
Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore.
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The jazz pianist's powerful 1976 album I Remember Bessie conveys a profound sense of loss.
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Duke Ellington's piece for Queen Elizabeth II is included in a new collection of late-period suites.
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Evans can be a heavy hitter at the keyboard, but on his new album, he reins himself in a bit.
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A new double set of unreleased S.O.S. tunes, Looking for the Next One on the Cuneiform label, was recorded in concert and in the studio in the mid-1970s. John Surman, Mike Osborne and Alan Skidmore could sound timeless, of and ahead of their time.
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On the clarinetist's latest album, the blues might be modernized or tweaked, but it's never far away. Fresh Air's jazz critic says The Edenfred Files is modest in a good way, like a musical chapbook or novella. The scale suits Harper's pointedly focused music.
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As a Japanese expatriate in Berlin, jazz pianist Aki Takase has an outsider's perspective on jazz and insider wisdom that comes from careful study. Her new album of Duke Ellington tunes reflects influences such as Thelonious Monk and Arnold Schoenberg, as well.
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The 23-year-old jazz phenom's debut album showcases her takes on vintage jazz and blues numbers by Bessie Smith, Fats Waller and others.
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Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.
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Mosaic Records has released Classic Earl Hines Sessions 1928-1945, a seven-disc showcase for the jazz pianist and bandleader. Hines' right hand played lines in bright, clear octaves — and his left hand had a mind of its own.
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The saxophonist and his quartet cross-pollinate Indian classical music and vintage Captain Beefheart to create complicated rhythms and solos reminiscent of jazz-rock fusion.