Conductor Donald Runnicles and Symphonies that Sing
Scottish conductor Donald Runnicles is busy with leadership positions in the opera and symphonic worlds in Germany, Scotland, and America. WRTI’s Susan Lewis profiles Runnicles, who is also a regular guest conductor with The Philadelphia Orchestra.
On Sunday, July 24 at 1 pm on WRTI, Donald Runnicles conducts The Philadelphia Orchestra in a program featuring the music of Beethoven, Elgar and Brahms.
MUSIC: Mahler’s Symphony No. 2, conducted by Leonard Bernstein
Susan Lewis: He was a young man when he had a transformative encounter with Mahler’s Symphony No. 2. Donald Runnicles was selling programs in Scottland’s Usher Hall.
Donald Runnicles: I had the chance to sit on the steps...and there was Lenny Bernstein and I experienced the miracle, the magic of this remarkable renaissance musician. He was famous for those leaps. In that moment, you really thought this is being composed as we are present...and I knew then I wanted to be a conductor.
SL: Runnicles wrote his university thesis on Mahler, and began his career working in opera in London and Germany. Today, whether conducting opera or symphonic works, the human voice and how a phrase might be sung, informs his approach. Think of Beethoven, Elgar, or Brahms.
DR: It sounds like a cliché, but there are so many moments that sound like songs without words...where would I breathe in a phrase, even if it’s instrumental? Where would the violinist breathe? There’s very often an artificial divide between orchestral conductors and opera conductors, but I believe there is no divide.
SL: Today, Runnicles leads the DeutscheOper in Berlin, the BBC Scottish Symphony, the Grand Teton Music Festival, and is principal guest conductor of the Atlanta Symphony.