Brakkton Booker is a National Desk reporter based in Washington, DC.
He covers a wide range of topics including issues related to federal social safety net programs and news around the mid-Atlantic region of the United States.
His reporting takes him across the country covering natural disasters, like hurricanes and flooding, as well as tracking trends in regional politics and in state governments, particularly on issues of race.
Following the 2018 mass shooting in Parkland, Florida, Booker's reporting broadened to include a focus on young activists pushing for changes to federal and state gun laws, including the March For Our Lives rally and national school walkouts.
Prior to joining NPR's national desk, Booker spent five years as a producer/reporter for NPR's political unit. He spent most to the 2016 presidential campaign cycle covering the contest for the GOP nomination and was the lead producer from the Trump campaign headquarters on election night. Booker served in a similar capacity from the Louisville campaign headquarters of Senate Majority Leader Mitch McConnell in 2014. During the 2012 presidential campaign, he produced pieces and filed dispatches from the Republican and Democratic National conventions, as well as from President Obama's reelection site in Chicago.
In the summer of 2014, Booker took a break from politics to report on the unrest in Ferguson, Missouri.
Booker started his career as a show producer working on nearly all of NPR's magazine programs, including Morning Edition, All Things Considered, and former news and talk show Tell Me More, where he produced the program's signature Barbershop segment.
He earned a bachelor's degree from Howard University and was a 2015 Kiplinger Fellow. When he's not on the road, Booker enjoys discovering new brands of whiskey and working on his golf game.
Domingo's reported hospitalization comes days after he posted a message on Facebook saying it was his "moral obligation" to reveal he tested positive for the disease caused by the coronavirus.
The Met says it is committed to "colorblind casting" and that its production of Otello this fall will be the first without dark makeup since the opera was first seen at the company in 1891.