Tim Greiving
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The Exilarte Center in Vienna is the world's leading research institution devoted to preserving the work of composers such as Walter Arlen and others, who were exiled or killed during the Holocaust.
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John Williams' score was, true to form, unforgettable — as Jeff Goldblum remembers in an interview with NPR.
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Tamar-kali, who composed the music for Mudbound and Shirley, has a new project: an opera that you can watch online.
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Deep in the heart of Texas, the Kronos Quartet reflects on race relations and social unrest with At War with Ourselves – 400 Years of You, by composer Michael Abels and poet Nikky Finney.
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Willy Wonka and the Chocolate Factory turns 50 in June, and Hook turns 30 in December. Both were shaped by the English lyricist and composer Leslie Bricusse, who remains vital and busy at age 90.
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Recovered from a career-threatening injury, Miloš Karadaglic has his sights set on two goals: finding the next great classical guitar concerto, and erasing the taboo of injuries among musicians.
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Tom Holkenborg, aka Junkie XL, is far from the first score composer to be fired from a Hollywood film. But he might be the first to get his job back.
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Aretha Franklin liked how Kris Bowers played piano at a competition in 2011. It was his big break — a fact that he says was with him while he scored a upcoming biopic about the late Queen of Soul.
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Darren Aronofsky's 2000 film Requiem for a Dream spawned a musical motif that's rippled through media — and jumpstarted a new career for Clint Mansell, the composer of its haunted score.
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The first woman composer to win an Oscar for best original score is releasing her first album of music not written for a film or stage production.